L'Abbatiale de la
Liturgie Apocryphe

Montréal, p.Q.

BEHEMOTH le 9 mai MMXII au Club Soda, Montréal p.Q.

 

Chaque 12 décembre, c’est la journée mondiale de la musique Métal, du Heavy métal. La journée mondiale du Heavy Metal a été créée en 2012 (12/12/12) par un fan de métal, « Iron Mathew Collins ».

 
 

DEICIDE le 4 mars MMXII aux Foufs, Montréal p.Q.

WATAIN le 9 mai MMXII au Club Soda, Montréal p.Q.

***

 

Founded by Iron Mathew Collins (IMC) in 2012, the International Day Of Heavy Metal is a worldwide annual event held on December 12th, dedicated to all styles of heavy metal. For that one day, we will celebrate all that is good about the genre, remember those that have passed away, and introduce at least one friend to the phenomena that is Heavy Metal.

 

Wear your band t-shirt with pride, play your favourite albums loud, not just at home, but in your car and at work and raise the horns high in appreciation of the best and the greatest music genre ever invented.

 

Facebook Group

 

DEADGUY 'Death to False Metal'

Cannabis residue on artefacts from an ancient temple in southern Israel. Archaeologists say it provides the first evidence of the use of hallucinogens in Judaism. Photograph: Laura Lachman/AP

Cannabis residue on artefacts from an ancient temple in southern Israel. Archaeologists say it provides the first evidence of the use of hallucinogens in Judaism. Photograph: Laura Lachman/AP

 
 

Archaeologists say find at Israeli excavation offers first proof of mind-altering substances being used in Judaism

 

Israeli archaeologists say they’ve found cannabis residue on artefacts from an ancient temple in southern Israel providing the first evidence of the use of hallucinogenics in the ancient Jewish religion.

 

In a research paper, the authors say the discovery from an eighth-century BC shrine at Tel Arad offers the first proof for the use of mind-altering substances as part of cultic rituals in Judah, including the first Jewish Temple that stood in Jerusalem at the same time.

 

In the 1960s, archaeological excavations at Tel Arad, around 60km (35 miles) south of Jerusalem, discovered a stronghold belonging to the ancient kingdom of Judah, and at its core a small shrine bearing striking similarities to the biblical Temple in Jerusalem.

 

But for decades, attempts to determine the composition of black deposits found on two limestone altars from the shrine’s inner sanctum now located at the Israel Museum in Jerusalem were inconclusive.

 

Chemical analysis of the samples conducted at Israel’s Hebrew University and Technion Institute found that one altar contained the psychoactive compounds found in marijuana, and the other had traces of frankincense – one of the ingredients mentioned in the Bible for the incense sacrifice in the ancient Jewish Temples, the authors wrote.

 

The researchers published their findings in the academic journal, Tel Aviv: Journal of the Institute of Archaeology of Tel Aviv University.

 

Eran Arie, curator of Iron Age archaeology at the Israel Museum in Jerusalem and lead author of the study, said the discovery was revolutionary, as it was the earliest evidence of cannabis use in the ancient region and the first time we have seen psychoactive substances in Judahite religion.

 

The absence of cannabis pollen or seeds from the area in ancient times indicates the cannabis was likely imported over long distance trade routes, possibly in the form of resin, known colloquially as hashish. The chemical analysis from the Tel Arad altar showed it was burned atop dried animal dung.

 

The official state religion of the kingdom of Judah was using this substance, Arie said.

 

Because of the site’s clear connection to the monarchy, he suggests it could point to how worship was conducted in the biblical Temple in Jerusalem.




Associated Press




*Merci Weldon

 

***

 

Were Early Christians Tripping on Mushrooms? (June 10, 2017)

Diableries et ensorcellements

 

La prochaine séance du séminaire mensuel du Centre de recherche interuniversitaire en sociocritique des textes (CRIST) aura lieu le vendredi 27 mars 2020 à 14h au J-4935 (UQAM) et aura pour thème «Diableries et ensorcellements».

 
 

Conférencier.ères:

 

  • Invitation à Martin Hervé (Université du Québec à Montréal) : « L’autre scène de Loudun : l’enfer intérieur »
  • Invitation à Éric Debacq (Université de Montréal) : « Personnage de comédie baroque ou vrai possédé du diable : le ‘sorcier’ innu dans les Relations de Paul Lejeune (1632-1642) »

 

Entrée libre et ouverte à tous!
Détails ici.

Rubrique ‘Décoration intérieure’ :

 
 

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c. 1890’s -SOLD

Une publication partagée par ELDRITCH OCULUM (@eldritch_oculum_antiquarian) le

 

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c. 1930’s

Une publication partagée par ELDRITCH OCULUM (@eldritch_oculum_antiquarian) le

 

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Lithograph (detail), c. 1890's -SOLD

Une publication partagée par ELDRITCH OCULUM (@eldritch_oculum_antiquarian) le

 

 

Voir cette publication sur Instagram

c. 1892

Une publication partagée par ELDRITCH OCULUM (@eldritch_oculum_antiquarian) le

 
 

ELDRITCH OCULUM
Antique Paper & Esoteric Objects
etsy.com/shop/EldritchOculum

Ruins Rider is part of an ongoing archeology project involving extensive research in lost civilisations


Ruins Rider (2017) by PIERRE-LUC VAILLANCOURT

Upcoming screenings of raw energy :


  • Cinémathèque québécoise (Montreal, Canada)
    19, 20, 25 & 27 September 2017
  • Arctic Moving Image & Film Festival (Harstad, Norway)
    19-22 October 2017
  • Forma Free Music Impulse Festival di Arti Elettroniche (Udine, Italy)
    program w/ Ryoji Ikeda, Cellule d’Intervention Metamkine, etc.
    2-4 November 2017



Ruins Rider
Directed by PIERRE-LUC VAILLANCOURT. Original music by MARC HURTADO.
2017 / 49 minutes



Filmed in the lost territories of the Balkans, Ruins Rider portrays the secret ruins that triggered trances over the past centuries. Using an array of hypnotic pulsating flickers, filmmaker PIERRE-LUC VAILLANCOURT conceived an explosive kinetic experience. Accompanied by a powerful soundtrack by MARC HURTADO of the cult project Étant Donnés, Ruins Rider is a visceral experience of hypnagogic archeology and raw energy.


Ruins Rider (2016) de PIERRE-LUC VAILLANCOURT

Ruins Rider (2016) de PIERRE-LUC VAILLANCOURT

Images tirées de Ruins Rider (2016) de PIERRE-LUC VAILLANCOURT



“Remarkable, invigorating and immersive work. A deeply committed and brilliantly hypnotic film. Powerful.”
– ALCHEMY FILM & MOVING IMAGE FESTIVAL


“Ruins Rider is marked as the most powerful of the films that I have seen. It’s a real subject explored with great energy using the new art of the computer to great effect and viscerally stimulating. There is history and ideas and technological wizardry.”
– FILMMAKER, WRITER & PHOTOGRAPHER TIMOTHY NEAT


“For Pierre-Luc Vaillancourt this is an attempt to inject a convulsive barbarization, or a self-barbarization as Alain Brossat calls it, into the anesthetized social body in order to jolt it with a reviving electroshock.”
– ESSE ARTS + OPINIONS


“Mover-and-shaker Pierre-Luc Vaillancourt treated us to a night of his curated film showings at San Francisco Cinematheque. His goal is to “push the envelope” and we think he succeeded!”
– RE/SEARCH PUBLICATIONS. V. VALE


***


MMXVI (December 31, 2016)
Alban Eifed, Cornucopia, Feast of Kyriat, Festival of Dionysus, Équinoxe d’Automne MMXVI (September 22, 2016)

L'Abbatiale de la
Liturgie Apocryphe

"The production of nervous force is directly connected with the diet of an individual, and its refining depends on the very purity of this diet, allied to appropriate breathing exercises.

The diet most calculated to act effectively on the nervous force is that which contains the least quantity of animal matter; therefore the Pythagorean diet, in this connection, is the most suitable.

...

The main object was to avoid introducing into the organism what Descartes called 'animal spirits'. Thus, all animals that had to serve for the nourishment of the priests were slaughtered according to special rites, they were not murdered, as is the case nowadays".