teen glass jewelry

DANIEL MITSUI 'Sorrowful Mysteries'

DANIEL MITSUI 'Glorious Mysteries'

DANIEL MITSUI 'Joyful Mysteries'

DANIEL MITSUI 'Solomon & St-Sebastian'

DANIEL MITSUI 'Crucifixion'

DANIEL MITSUI 'Crucifixion'

DANIEL MITSUI 'Last Judgment'

DANIEL MITSUI 'Nativity of Christ'

DANIEL MITSUI 'OUR LADY of WALSINGHAM'

DANIEL MITSUI 'Presentation in the Temple'

DANIEL MITSUI
Born in Georgia, USA, in 1982, and raised in Illinois. Now lives in Chicago. He has studied drawing, oil painting, etching, lithography, wood carving, bookbinding and film animation.


‘In my religious drawings, I attempt to be faithful to the instructions of the Second Nicene Council, which stated that the composition of religious imagery is not left to the initiative of artists, but is formed upon principles laid down by the Catholic Church and by religious traditionThe execution alone belongs to the painter, the selection and arrangement of subject belongs to the Fathers.


In Gothic art, the iconographic tradition that stretches back to the apostolic age was expressed with extraordinary vigor, fidelity and theological sophistication. It is from the illuminated manuscripts, panel paintings, tapestries and incunabula of the Northern European late Middle Ages that I draw most of my inspiration’ (…)

Les relations ANGLO-FRANCO dans le cinéma québécois, sixième partie



Reaction: A Portrait of a Society in Crisis
Robin Spry, Canada, 1973, 57 min 50 s


This feature documentary gives voice to various English-speaking groups in Montréal and other places in Québec as they react to the October Crisis of 1970, when Québec nationalism took a violent turn. A British diplomat had been kidnapped, a Québec cabinet minister murdered. The troops were brought in as a safeguard. This film is a vigorous reflection of the discussions and analyses of the situation that went on wherever people gathered, voicing attitudes and fears, sympathies and concerns.


***


Le journal de madame Wollock (1979) de GILLES BLAIS (January 15, 2015)
Le sort de l’Amérique (1996) de JACQUES GODBOUT (January 16, 2015)
Speak White (1980) & Le temps des bouffons (1985) de PIERRE FALARDEAU et JULIEN POULIN (January 20, 2015)
Le mouton noir (1992) & Les héritiers du mouton noir (2003) de JACQUES GODBOUT (January 22, 2015)
Le confort et l’indifférence (1981) de DENYS ARCAND (January 26, 2015)
Le chat dans le sac (1964) de GILLES GROULX (April 7, 2014, à la toute fin de l’entrevue)
Québec Soft (1985) de JACQUES GODBOUT (June 24, 2011)
Mon oncle Antoine (1971) de CLAUDE JUTRA (December 24, 2010)
Les événements d’octobre 1970 (1974) de ROBIN SPRY (October 6, 2010)

From L’Oeil du tigre :


‘Neuf boîtes(!) du légendaire EP presque unreleased de MI AMORE, The Lion (2007), ont (…) été dépoussiérées. Issu des sessions d’enregistrement de The Lamb(2005), avec Kurt Ballou,‘The Lion, Five Mystical Songs’ n’aura jamais bénéficié d’une bonne distribution suite à la dissolution du label québécois Cyclop Média.’


MI AMORE 'The Lion' (2007) AVAILABLE ON L'OEIL DU TIGRE

A nearly-unreleased and long hard-to-find EP from these controversial Quebec blackened hardcore champions. AVAILABLE HERE.


MI AMORE

MI AMORE

ALEXIS AMORE

MI AMORE

MI AMORE


KAREN BACHMAN discusses the strange and romantic art of Victorian hair work and its origins. Memorial hair work jewelry became popular in the late 18th century and reached its zenith in the 19th century. The wearing of a loved ones hair, encased in a locket, woven into a chain, or even framed in a wall, was a devotional act which kept the departed both physically and symbolically closer to the wearer.


***


The Midnight Archive created by RONNI THOMAS (May 17, 2012)

Nous en avions brièvement discuté lors de l’équinoxe d’automne dernier :


SATANIC PANIC: POP-CULTURAL PARANOIA IN THE 1980s

Spectacular Optical Announces Upcoming Second Book:
SATANIC PANIC: POP-CULTURAL PARANOIA IN THE 1980s
spectacularoptical.ca


In the 1980s, it seemed impossible to escape Satan’s supposed influence. Everywhere you turned, there were warnings about a widespread evil conspiracy to indoctrinate the vulnerable through the media they consumed. This percolating cultural hysteria, now known as the “Satanic Panic,” not only sought to convince us of devils lurking behind the dials of our TVs and radios and the hellfire that awaited on book and video store shelves, it also created its own fascinating cultural legacy of Satan-battling VHS tapes, audio cassettes and literature. The second book by Canadian micro-publisher Spectacular Optical, Satanic Panic: Pop-Cultural Paranoia in the 1980s, offers an unprecedented and in-depth exploration of how a controversial culture war played out during the decade, from the publication of the memoir Michelle Remembers in 1980 to the end of the McMartin “Satanic Ritual Abuse” Trial in 1990. This new anthology, expected to be released in summer 2015, follows on the success of KID POWER!, Spectacular Optical’s inaugural book about cool, tough and sassy kids in cult film and television.


Satanic Panic: Pop-Cultural Paranoia in the 1980s features 20 new essays and interviews addressing the ways the widespread fear of a Satanic conspiracy was both illuminated and propagated through almost every pop culture pathway in the 1980s, from heavy metal music to Dungeons & Dragons role playing games, Christian comics, direct-to-VHS scare films, pulp paperbacks, Saturday morning cartoons, TV talk shows and even home computers. The book also features case studies on McMartin, Thee Temple ov Psychick Youth and Long Island “acid king” killer Ricky Kasso. From con artists to pranksters and moralists to martyrs, the book aims to capture the untold story of the how the Satanic Panic was fought on the pop culture frontlines and the serious consequences it had for many involved.


Satanic Panic’s roster of contributing authors and media critics includes GAVIN BADDELEY (Lucifer Rising: Sin, Devil Worship and Rock n’ Roll), LIISA LADOUCEUR (Encyclopedia Gothica), DAVID FLINT (Sheer Filth), ALEXANDRA HELLER-NICHOLAS (Rape Revenge Films: A Critical Study), ADRIAN MACK (The Georgia Straight), FORREST JACKSON (Cosmic Suicide: The Tragedy and Transcendence of Heaven’s Gate), ALISON NASTASI (Flavorwire), LESLIE HATTON (Popshifter), DAVID CANFIELD (Twitch), DAVID BERTRAND (Fangoria; Spectacular Optical), ALISON LANG (Rue Morgue), KEVIN L. FERGUSON (Queens College/CUNY), WM CONLEY (Deathwound), KURT HALFARD (Twitch), SAMM DEIGHAN (Satanic Pandemonium), STACEY RUSNAK (The Postnational Fantasy: Essays on Postcolonialism, Cosmopolitics and Science Fiction), RALPH ELAWANI (C’est complet au royaume des morts) and JOSHUA GRAHAM, alongside co-editors KIER-LA JANISSE (House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films) and PAUL CORUPE (Canuxploitation). The book will also feature comic art by RICK TREMBLES (Motion Picture Purgatory) and original illustrations by Toronto artist MIKE McDONNELL.


The book’s launch in summer 2015 will be accompanied by screenings and panel events in multiple cities. Stay tuned for more developments on that front, as well as a full table of contents list to be announced later this spring. Please see attached for cover art, which will be printed with metallic silver ink on black matte.

Solar Eclipse

This is the way the world ends; not with a bang but an eclipse. Or so some Christian ministers have said.


Many on the internet are worried that Friday’s solar eclipse is a sign of the end times, or a message of judgement from God. And while the theories are largely speculative, they are encouraged by a genuine collision of three rare and significant celestial events on Friday.


As well as the eclipse itself, a Supermoon and the Spring equinox are also set to happen — all three of which have in the past been celebrated as events of significance within various cultures around the world.


As well as the rare and spectacular sights in the sky, those who advocate the theory that the eclipse and other events are a sign of the end times or an omen of something else say that recent ominous events also show that something could happen.


The kinds of geo-political and societal events that tend to be associated with the end times by those who believe in such events are also happening, encouraging the idea that Friday could mark a sign of the apocalypse or another catastrophic event. Global stock markets are volatile and at record highs; there is increasing tension in the Middle East, including in Israel; and votes on same-sex marriage are scheduled for this summer in the US.


WorldNetDaily, an American site that is roughly affiliated with the American political right, reported that biblical experts believe that the message is a sign of judgment from God to those on Earth.


The co-founder of Christian website Root Source, Bob O’Dell, told WND that the message was a sign of judgment. The eclipse will be total across the North Pole, and so is not pointed at anyone in particular.


“The North Pole can’t really be called the territory of any particular nation or people,” O’Dell told the site. “This is likely a message from God to the entire world.”


But since the eclipse will most affect those in northern Europe, the message should be especially heeded by people there, according to a pastor interviewed by WND.


“In Jewish tradition, a total solar eclipse is a warning to the Gentiles and a sign of judgment on the nations,” he told the paper. “When we look at where the darkness will be, it will be in northern European countries like England and Sweden where we see the rise of Islam and anti-Israel sentiment. Europeans especially should take heed.”


The connection between Friday’s eclipse and the end of the world comes partly from the “Blood Moon Prophecy”. That refers to the theory that a tetrad — four consecutive lunar eclipses, with six full moons between them — is a sign that the world is coming to an end.


Those that believe in the prophecy see it partly borne out by the Book of Joel, which says that “the sun will turn into darkness, and the moon into blood, before the great and terrible day of the Lord comes”. That has been connected to the phenomenon of the blood moon — the phenomenon where the moon turns copper red as it passes under the Earth’s shadow.


March’s solar eclipse have been connected by some to the series of lunar ones that are seen as harbingers of the end times. This solar eclipse sits in the middle of the tetrad, and is seen as another signal that signs are appearing in the sky.


There is no way to be sure that the predictions won’t come true until Friday morning, when the eclipse happens — it is set to begin around 8am and carry on until about 11am. But something spectacular is certain to happen, as the moon moves in front of the sun and brings darkness to the UK, whether or not it also marks the end of the world.



Andrew Griffin
The Independent


***


Blood moon returns: Another total lunar eclipse will color the moon blood red (October 7, 2014)
Welcome back Jesus? Christians say ‘Blood Moon’ signals End Times (April 15, 2014)

A team of scientists led by renowned French marine archaeologist Franck Goddio recently announced that they have found a bowl, dating to between the late 2nd century B.C. and the early 1st century A.D., that is engraved with what they believe could be the world’s first known reference to Christ.


A bowl, dating to between the late 2nd century B.C. and the early 1st century A.D., is engraved with what may be the world's first known reference to Christ. The engraving reads, "DIA CHRSTOU O GOISTAIS," which has been interpreted to mean either, "by Christ the magician" or, "the magician by Christ."

A bowl, dating to between the late 2nd century B.C. and the early 1st century A.D., is engraved with what may be the world’s first known
reference to Christ. The engraving reads, “DIA CHRSTOU O GOISTAIS,” which has been interpreted to mean either, “by Christ the
magician” or, “the magician by Christ.”


If the word “Christ” refers to the Biblical Jesus Christ, as is speculated, then the discovery may provide evidence that Christianity and paganism at times intertwined in the ancient world.


The full engraving on the bowl reads, “DIA CHRSTOU O GOISTAIS,” which has been interpreted by the excavation team to mean either, “by Christ the magician” or, “the magician by Christ.”


“It could very well be a reference to Jesus Christ, in that he was once the primary exponent of white magic,” Goddio, co-founder of the Oxford Center of Maritime Archaeology, said.


He and his colleagues found the object during an excavation of the underwater ruins of Alexandria’s ancient great harbor. The Egyptian site also includes the now submerged island of Antirhodos, where Cleopatra’s palace may have been located.


Both Goddio and Egyptologist David Fabre, a member of the European Institute of Submarine Archaeology, think a “magus” could have practiced fortune telling rituals using the bowl. The Book of Matthew refers to “wisemen,” or Magi, believed to have been prevalent in the ancient world.


According to Fabre, the bowl is also very similar to one depicted in two early Egyptian earthenware statuettes that are thought to show a soothsaying ritual.


“It has been known in Mesopotamia probably since the 3rd millennium B.C.,” Fabre said. “The soothsayer interprets the forms taken by the oil poured into a cup of water in an interpretation guided by manuals.”


He added that the individual, or “medium,” then goes into a hallucinatory trance when studying the oil in the cup.


“They therefore see the divinities, or supernatural beings appear that they call to answer their questions with regard to the future,” he said.


The magus might then have used the engraving on the bowl to legitimize his supernatural powers by invoking the name of Christ, the scientists theorize.


Goddio said, “It is very probable that in Alexandria they were aware of the existence of Jesus” and of his associated legendary miracles, such as transforming water into wine, multiplying loaves of bread, conducting miraculous health cures, and the story of the resurrection itself.


While not discounting the Jesus Christ interpretation, other researchers have offered different possible interpretations for the engraving, which was made on the thin-walled ceramic bowl after it was fired, since slip was removed during the process.


Bert Smith, a professor of classical archaeology and art at Oxford University, suggests the engraving might be a dedication, or present, made by a certain “Chrestos” belonging to a possible religious association called Ogoistais.


Klaus Hallof, director of the Institute of Greek inscriptions at the Berlin-Brandenburg Academy, added that if Smith’s interpretation proves valid, the word “Ogoistais” could then be connected to known religious groups that worshipped early Greek and Egyptian gods and goddesses, such as Hermes, Athena and Isis.


Hallof additionally pointed out that historians working at around, or just after, the time of the bowl, such as Strabon and Pausanias, refer to the god “Osogo” or “Ogoa,” so a variation of this might be what’s on the bowl. It is even possible that the bowl refers to both Jesus Christ and Osogo.


Fabre concluded, “It should be remembered that in Alexandria, paganism, Judaism and Christianity never evolved in isolation. All of these forms of religion (evolved) magical practices that seduced both the humble members of the population and the most well-off classes.”


“It was in Alexandria where new religious constructions were made to propose solutions to the problem of man, of God’s world,” he added. “Cults of Isis, mysteries of Mithra, and early Christianity bear witness to this.”



Jennifer Viegas
Discovery News

How life emerged from non-life has been a central question, puzzling scientists and theologists. A new theory could answer the question – and throw out the need for God.


A writer on the website of Richard Dawkins’ foundation says that the theory has put God “on the ropes” and has “terrified” Christians.


It proposes that life did not emerge by accident or luck from a primordial soup and a bolt of lightning. Instead, life itself came about by necessity – it follows from the laws of nature and is as inevitable as rocks rolling downhill.


The problem for scientists attempting to understand how life began is understanding how living beings – which tend to be far better at taking energy from the environment and dissipating it as heat – could come about from non-living ones.


But a new theory, proposed by a researcher at MIT and first reported in Quanta Magazine, proposes that when a group of atoms is exposed for a long time to a source of energy, it will restructure itself to dissipate more energy. The emergence of life might not be the luck of atoms arranging themselves in the right way, it says, but an inevitable event if the conditions are correct.


“You start with a random clump of atoms, and if you shine light on it for long enough, it should not be so surprising that you get a plant,” England said.


Paul Rosenberg, writing this week on Richard Dawkins’ site, said that the theory could make things “a whole lot worse for creationists”.


As Rosenberg notes, the idea that life could have evolved from non-living things is one that has been held for some time, and was described by the pre-Socratic philosophers. But England’s theory marks the first time that has been convincingly proposed since Darwin, and is backed by mathematical research and a proposal that can be put to the test.



Andrew Griffin
The Independent

“Christianity was invented by a little known family of Roman Caesars, the Flavians; and they left us documents to prove it.”



Caesars Messiah: The Roman Conspiracy to invent Jesus
Fritz Heede, Nijole Sparkis, USA, UK, Australia, Italy, 2012, 84 min


Synopsis via covertmessiah.com:


The origin of the Christian religion has been a subject steeped in mystery for nearly 2000 years. Who was Jesus? Is he an historical character? Who wrote the Gospels? Why are they written in Greek? Why did they have a pro-Roman and anti-semitic perspective? Why was the religion headquartered in Rome? Caesar’s Messiah: The Roman Conspiracy to Invent Jesus is a documentary based on the best‐selling religious studies book by JOSEPH ATWILL. ATWILL is one of a number of scholars today from all around the world, who are questioning the historic facts behind these mysterious origins of Christianity. When examining the actual history of this era, many of the answers provided by the Church do not hold up to rigorous scrutiny. No doubt, Christianity has done a lot of good for the world, but a lot of bad has come from its most dogmatic believers, who create wars, hatred, and other harm under the disguise of religion. In studying how Christianity emerged, the seven controversial Bible scholars featured in this film agree that it was used as a political tool to control the masses of the day, and is still being used this way today. For example, support for the wars in the Middle East is preached to Evangelical Christians as a way to speed up the coming of the End of Days. Maybe we need to expand the possible answers about how Christianity originated, and deeper questions need to be asked. Maybe we need to examine what political motives were behind the formation of the Christian religion?


The documentary begins with a brief history of the political and religious climate of Judea in the first century CE – the era during which Christianity emerged. Judea was occupied by the Roman Empire, which required them to worship Caesar as a god. The Jews found this blasphemous, and they waged constant rebellions against the Empire. Their religious scriptures prophesied that a militaristic warrior Messiah would defeat the Romans and lead the Jews to liberation. A string of numerous Messiahs presented themselves to lead the people in war against Rome, only to be defeated and crucified – a customary Roman punishment for insurgents of the day. However, the Roman government was growing weaker from over a century of increasingly corrupt rule by the Julio‐Claudian dynasty — the last emperor of this lineage being Nero, who was bankrupting the Empire with his self‐indulgence. In their greatest victory, the messianic Jews finally succeeded in burning Rome and driving the Romans out of Judea. This caused Nero to call upon his best military men, the Flavians – Vespasian and his son Titus — to crush the rebellion for good. The Flavians succeeded not only in destroying the Jewish towns of Galilee and their temple in Jerusalem, but after Nero was deposed and committed suicide, they seized the throne through a military coup and took over reign of the Roman Empire itself. Under the Flavians, the Empire flourished, and many great monuments were built including the famous Coliseum. In order to pacify the Jewish rebellion, they captured and burned all the Jews’ scriptures. It is around this time that a new literature emerged with the story of a very different Jewish Messiah – one who preached “give to Caesar what is Caesar’s”, “turn the other cheek”, and “love your enemy”.


The Triumph of Titus (1885) by Sir Lawrence Alma-Tadema

The Triumph of Titus (1885) by SIR LAWRENCE ALMA-TADEMA


The second half of the documentary focuses on the documents the Flavians left behind which prove their authorship of the Gospels. The Bible scholars deconstruct the Gospels and the character Jesus, showing that they are based on archetypes found in the ancient pagan mystery schools and in earlier Jewish literature. Much of the teachings of Christianity are traced back to the writings of Philo of Alexandria — who was combining Jewish scripture with Greek pagan beliefs — and Stoicism, a philosophy promoted by the Flavians. When the Flavians seized control of the Roman Empire, they needed to legitimize their rule, so they had their Jewish court historian Josephus (originally Yosef ben Matityahu who adopted the name Titus Flavius Josephus) create a large body of work which became the only official history we have of the Jewish-Roman War.


Bible scholar JOSEPH ATWILL noticed many parallels between this historic account of the war and the events in the life of Jesus in the Gospels. Through his study of the ancient Greek texts and his discovery of an antiquated Hebrew literary genre, he found dozens of parallels between the Jesus story and the war history that occurred in the exact same sequence. This shows that the events of Jesus’ life which supposedly took place forty years earlier, were actually all dependent on the events in the military campaign of the Roman Caesar Titus Flavius. Ancient texts were much more allegorical, multi-layered and complex than today’s writing, and when you read the Gospels and the histories of Josephus side by side, a new meaning arises which reveals the authors of the Gospels to be the Roman Flavian Caesars, their co-conspirators, and their literary team.


Along the way, the Bible scholars show how the Roman Imperial Cult — set up to worship Caesar as a god — formed the basis for the Roman Catholic Church, and that some of the Church’s first saints were members of the Flavian court. ATWILL also shows how the “second coming of the Christ” referred to a historical event that already occurred.


Featuring scholars JOSEPH ATWILL, ROBERT EISENMAN, JOHN HUDSON, KEN HUMPHREYS, ROB BLACKHIRST, ACHARY S / D.M. MURDOCK, and TIMOTHY FREKE, this ground-breaking documentary not only gives us a revolutionary new understanding of the origins of Christianity, but shows how the political use of religion is still affecting our personal lives today. We currently live on the brink of an immense paradigm shift, and this modern time is very parallel to the era in which Christianity emerged. Studying this ancient era can give us the much-needed perspective for coming up with solutions to today’s problems, so we can create the better world that we envision.


Titus Flavius Vespasianus AKA Jesus

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5 reasons to suspect that Jesus never existed (September 1, 2014)
Ancient Confession Found: ‘We Invented Jesus Christ’ (October 9, 2013)
The Holy Bible Contradictions (August 21, 2013)
Religious people are less intelligent than atheists, according to analysis of scores of scientific studies stretching back over decades (August 13, 2013)
(The) Untold History of the Bible (2009) by CHRISTIAN J. PINTO (February 23, 2013)
La névrose chrétienne (1976) par le Docteur PIERRE SOLIGNAC (May 25, 2012)
Religulous (2008) by LARRY CHARLES (September 24, 2010)
Le cerveau mystique (2006) de ISABELLE RAYNAULD (January 4, 2010)


Sonic Outlaws
Craig Baldwin, USA, 1995, 87 min


‘Within days after the release of Negativland‘s clever parody of U2 and Casey Kasem, recording industry giant Island Records descended upon the band with a battery of lawyers intent on erasing the piece from the history of rock music.


Craig Baldwin follows this and other intellectual property controversies across the contemporary arts scene. Playful and ironic, his cut-and-paste collage-essay surveys the prospects for an “electronic folk culture” in the midst of an increasingly commodified corporate media landscape.’


NEGATIVLAND

Liturgie Apocryphe

"The production of nervous force is directly connected with the diet of an individual, and its refining depends on the very purity of this diet, allied to appropriate breathing exercises.

The diet most calculated to act effectively on the nervous force is that which contains the least quantity of animal matter; therefore the Pythagorean diet, in this connection, is the most suitable.

...

The main object was to avoid introducing into the organism what Descartes called 'animal spirits'. Thus, all animals that had to serve for the nourishment of the priests were slaughtered according to special rites, they were not murdered, as is the case nowadays".