L'Abbatiale de la
Liturgie Apocryphe

Montréal, p.Q.

*Retro-bréviaire de la scène locale PQ et cinéma de claustration :

 
 

 

Slave To The Grind
Doug Robert Brown, Canada, 2018, 99 min

 
 

If you lived in Flint Michigan, USA in the 80s, you likely worked in an auto factory. If you lived in Birmingham, England in the 80s, you likely worked in an industrial setting. If you were a teenager in either of these cities during those years, you either accepted your fate or broke the mold. In defiance of tradition, groups of punk rockers and metalheads in these respective cities created a new sound, and consequently a new genre of music that was too punk for metalheads, and too heavy for punks.

 

Grindcore fused the anarchistic attitudes of the UKs Punk scene with the speed and drunken aggression of Death Metal, which was simultaneously being created in the US. When Napalm Death released ‘Scum’ in 1986, world-renowned BBC DJ, John Peel, announced that ‘Grindcore’ was the fastest and most abrasive sounding music imaginable, and he was right.

 

Slave To The Grind is the first documentary on Grindcore to capture the genre’s 35 year life span. The film takes you to Japan, the United States, UK, Australia, Singapore, Finland and Sweden to discuss why the genre has persisted, and changed, over time.

 
 

Slave To The Grind (2018) by DOUG BROWN

GRINDCOREFILM.com

 
 

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DÈCHE-CHARG

 
 

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‘De retour des cendres, et en PDF!’ :

 

 

Mai 2018 – Qui l’eu cru? Déjà 20 ans??? non, c’était hier n’est-ce pas? Beaucoup de fluides ont coulés sous les ponts depuis le lancement du SANG FRAIS #1 (3 mai 1998: Dragon Lore + Aphasia au Café Chaos). Le dernier Sang Frais ayant été publié en 2005, c’est donc dire que tous les metalleux du Québec qui célèbreront leurs 20 ans cette année n’ont probablement jamais eu le plaisir de nous lire. Peut-être le Sang Frais est-il simplement une légende urbaine? un mythe?

 

Peu importe, sa mission de faire passer les artisans à l’histoire aura été accomplie haut la main, et ce site se veut une façon de partager les souvenirs de notre magnifique scène locale. Voici donc pour vous, les SANG FRAIS #1 à #17 en PDF à lire dans le confort de votre foyer. Cheers!

 
 

JAUNE COMME TES DENTS

Magic Circles in the Grimoire Tradition (2012) by WILLIAM J. KIESEL

Magic Circles in the Grimoire Tradition
William Keisel

 

Three Hands Press
2012, 70 pages




With the center of the circle as a starting point, orientation can take on precise meaning in the context of its ritual, which was designed to secure spiritual knowledge and material dominion in the world through the agency of spirits, stars and cabalistic arcana.

 

Magic Circles have been depicted in popular expressions of magic and witchcraft as well as detailed with full rubrics in traditional manuals of magic such as the Clavicula Solomonis or Liber Juratus. Using narrative, visual and textual material available from European grimoires and manuscripts, the author discusses the various forms and functions of this important piece of apparatus employed by magicians in the Western Esoteric Tradition, including their role in providing authority and protection to the operator, as well as examples of their use in divination and treasure finding. Additionally, contemporary examples of the magic circle at work in modern esoteric praxis are provided and discussed in light of the traditional approaches they exhibit. This monograph serves to explicate this important tool of ceremonial magic and is valuable to practitioners of the art magical with its technical data, while also providing context in historical settings for the merely curious reader of occult subjects. Illustrated throughout.

 

DETAILS

 

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*Cinéma de confinement, édition quatrième semaine de cloître :

 
 

 

The Legend of Hell House
John Hough, UK, 1971, 95 min

 
 

A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. Previous visitors have either been killed or gone mad, and it is up to the team to survive a full week in isolation, and solve the mystery of the Hell House.

 

The Legend of Hell House (1973) by JOHN HOUGH

The Legend of Hell House (1973) by JOHN HOUGH

The Legend of Hell House (1973) by JOHN HOUGH

Rubrique ‘Judicieuse réclusion’, vol.1 :

 
 

 

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Jours de confinement/ May the light shine upon us 2. March 2020. #stayhome #stayhealthy #takecareofeachother 🖊✂️✌🏼❤️

Une publication partagée par Louis-Alexandre Beauregard (@louisalexandrebeauregard) le

 

Voir cette publication sur Instagram

Le portail 1/ The Portal 1. Mars/March 2020 🖊✂️🌑

Une publication partagée par Louis-Alexandre Beauregard (@louisalexandrebeauregard) le

 

Voir cette publication sur Instagram

Le portail 4/The Portal 4. Mars/March 2020. 🖊✂️🌑

Une publication partagée par Louis-Alexandre Beauregard (@louisalexandrebeauregard) le

 

Voir cette publication sur Instagram

Le portail 6/ The Portal 6. Mars/March 2020. 🖊✂️🌑

Une publication partagée par Louis-Alexandre Beauregard (@louisalexandrebeauregard) le

 

Voir cette publication sur Instagram

Le portail 10/ The Portal 10. 🖊✂️🌹🌑 Avril/April 2020

Une publication partagée par Louis-Alexandre Beauregard (@louisalexandrebeauregard) le

 
 

LOUIS-ALEXANDRE BEAUREGARD
Vit et travaille à Montréal. Art visuel et design pour la commémoration.

 

A Midsummer Night’s Dream
Max Reinhardt & William Dieterle, United States, 1935, 133 min

 
 

A Midsummer Night’s Dream is a 1935 American romance and fantasy film of William Shakespeare’s play, directed by Max Reinhardt and William Dieterle (…) The film is about the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta. These include the adventures of four young Athenian lovers and a group of six amateur actors, who are controlled and manipulated by the fairies who inhabit the forest in which most of the story is set. The play, which is categorized as a comedy, is one of Shakespeare’s most popular works for the stage and is widely performed across the world.

 
 

A Midsummer Night's Dream (1935) by MAX REINHARDT & WILLIAM DIETERLE

A Midsummer Night's Dream (1935) by MAX REINHARDT & WILLIAM DIETERLE

A Midsummer Night's Dream (1935) by MAX REINHARDT & WILLIAM DIETERLE

L'Abbatiale de la
Liturgie Apocryphe

"The production of nervous force is directly connected with the diet of an individual, and its refining depends on the very purity of this diet, allied to appropriate breathing exercises.

The diet most calculated to act effectively on the nervous force is that which contains the least quantity of animal matter; therefore the Pythagorean diet, in this connection, is the most suitable.

...

The main object was to avoid introducing into the organism what Descartes called 'animal spirits'. Thus, all animals that had to serve for the nourishment of the priests were slaughtered according to special rites, they were not murdered, as is the case nowadays".