installment loans in rio rancho nm

Affaires courantes :


Photo Dumontier-Nault pour le livre 'Les marges détachables' de RALPH ELAWANI à paraître cet automne chez Poètes de brousse

Photo de RALPH ELAWANI par DUMONTIER-NAULT pour son livre Les marges détachables‬ à paraître cet automne chez Poètes de brousse.


CHRIST le 2 septembre MMXIV à la Casa del Popolo, Montréal p.Q.

Jaune comme tes dents est allé voir CHRIST le 2 septembre MMXIV à la Casa del Popolo, Montréal p.Q.



LaVey

Les Sinners (1971) par LES SINNERS

Satan’s Sabbath / Le diable est parmi nous Jean Beaudin, Canada, 1972, 89 min


Dossier CROIR Proctor and Gamble

Dossier CROIR sur Proctor and Gamble

L’abbatiale de la LITURGIE APOCRYPHE et RALPH ELAWANI travaillent actuellement sur la représentation du satanisme dans les médias québécois durant la décennie 1980-1990. L’essai sera publié par Spectacular Optical, au sein d’un livre collectif commissionné et colligé par Kier-La Janisse, intitulé Satanic Panic.



VOOR 'Evil Metal' (1985)

L’évolution du métal québécois, No Speed Limit (1964-1989) de FÉLIX B. DESFOSSÉS

L’évolution du métal québécois, No Speed Limit (1964-1989) de FÉLIX B. DESFOSSÉS retrace la naissance d’un courant musical underground, mais omniprésent dans le panorama musical du Québec depuis plus de 30 ans. De manière consciente ou non, le métal d’ici s’est imprégné du rock garage primitif et provocateur des années 60, des envolées stratosphériques du rock psychédélique, des structures complexes du rock progressif, du poids du heavy rock, de la rébellion du punk et du hardcore, des démos cassette de speed/thrash metal local, la sauvagerie du crossover défonce ou des pionniers du death metal.


Ce récit est construit sur un squelette de citations tirées de près d’une centaine d’entrevues au centre duquel se trouve le coeur du métal québécois: VOÏVOD. Des HOU-LOPS à OFFENBACH et AUT’CHOSE, en passant par D.D.T., SWORD et DBC, jusqu’à OBLIVEON et GORGUTS, l’évolution du métal québécois est établie ici pour la toute première fois. Ce livre démontre hors de tout doute que le Québec représente une plaque tournante pour le métal.


Éditions du Quartz


ROSALEEN NORTON

ROSALEEN NORTON

‘Rosaleen Miriam “Roie” Norton (2 October 1917 – 5 December 1979), who used the craft name of Thorn, was an Australian artist and occultist, in the latter capacity adhering to a form of pantheistic / Neopagan Witchcraft which was devoted to the god Pan. She lived much of her later life in the bohemian area of Kings Cross, Sydney, leading her to be termed theWitch of Kings Crossin some of the tabloids, and from where she led her own coven of Witches.‘ – WIKI



ROSALEEN NORTON

Rosaleen Norton on 30 January 1950, with her depiction of a satyr. (via Hyperallergic via SMH NEWS)



A Documentary for the Witch of Kings Cross, Australia’s Persecuted Occult Artist
Allison Meier, Hyperallergic, September 9, 2014


Filmmaker Sonia Bible considers Rosaleen Norton “the most persecuted artist in Australian history.” With a new documentary, she’s hoping to set a more accurate record of the life of woman who in the 1940s and 50s scandalized the country with her occult art, and bold sexuality. READ


ROSALEEN NORTON

Photograph of Rosaleen Norton with one of her art pieces (via Hyperallergic, images courtesy Sonia Bible)


***


Syrinx (1965) par RYAN LARKIN (May 31, 2011)

GABRIEL ALEGRIA JOSÉ SABOGAL

GABRIEL ALEGRIA JOSÉ SABOGAL 'Craneo Cabala'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Mater'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Inventario'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Asmodai Copia'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Hermes'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Ofion'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Ophian Completo'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Sic Luceat'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Fatima'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Simbolo'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Mano Poderosa'

GABRIEL ALEGRIA JOSÉ SABOGAL 'Vision Y Voz'

GABRIEL ALEGRIA JOSÉ SABOGAL
Vit et travaille au Pérou. Son livre “Handbook Of Sacred Anatomy” sera bientôt publié chez Aeon Sophia Press.


Le Testament d’Orphée ou ne me demandez pas pourquoi!
Jean Cocteau, France, 1959, 81 min


Mort et résurrection du poète. Frappé par une balle, le poète JEAN COCTEAU rebondit dans un autre temps. Vie et mort, présent et futur, monstres et imagination, angoisses et fantasmes, c’est le Testament du poète cinéaste, sa biographie sans aucun souci de chronologie. JEAN COCTEAU y tient le rôle principal.


Le Testament d'Orphée (1959) de JEAN COCTEAU

Le Testament d'Orphée (1959) de JEAN COCTEAU

Le Testament d'Orphée (1959) de JEAN COCTEAU

Le Testament d'Orphée (1959) de JEAN COCTEAU

***


Le sang d’un poète (1930) de JEAN COCTEAU (March 13, 2014)
La villa Santo Sospir (1952) de JEAN COCTEAU (May 17, 2011)
Orphée (1950) de JEAN COCTEAU (February 11, 2011)

DENIS FORKAS 'The Dance of Asterion', 2014, Acrylics on paper mounted on hardboard, 26 x 25 cm

DENIS FORKAS 'Allegory of Martyrdom', 2013, Ink, gouache and acrylics on paper, 27 x 70 cm

DENIS FORKAS 'Chalice of Severance', 2013, Acrylics, gilding and blood on linen, 90 x 86 cm

DENIS FORKAS 'The Golden Thread (Duke of Athens and the Infamy of Crete)', 2014, Acrylics on canvas mounted on cardboard, 30 x 40 cm

DENIS FORKAS 'The Offering II (ΠΡOΣΩΠΟΝ), 2014, Acrylics on paper, 55.7 x 41.5 cm

DENIS FORKAS

DENIS FORKAS KOSTROMITIN

DENIS FORKAS KOSTROMITIN

DENIS FORKAS 'Study for Triton’s Mirror (Typhaon Triumphant)', 2013, Ink, graphite, acrylics and bodycolour on paper (cut out and attached to a larger paper sheet), 29.8 x 20.8 cm

DENIS FORKAS 'Study for Salome' (2012)

DENIS FORKAS KOSTROMITIN

DENIS FORKAS 'Praetorian', 2012, Ink on paper, 56 x 42 cm

DENIS FORKAS KOSTROMITIN

DENIS FORKAS KOSTROMITIN

DENIS FORKAS KOSTROMITIN

DENIS FORKAS KOSTROMITIN

DENIS FORKAS 'Mythological sketches (Theseus II)', 2012, Ink and watercolour on tinted paper, 41.5 x 29.5 cm

DENIS FORKAS 'Sheet of studies: Huwawa, a headless sphinx, Theseus and Asterion, incantations', 2012  Graphite, bodycolour, ink and watercolour on paper, 29.5 x 41.5 cm

DENIS FORKAS KOSTROMITIN

DENIS FORKAS 'Faceless Imp (an automatic study)', 2011, Ink, watercolour and graphite on paper, 42 x 30 cm

DENIS FORKAS 'Sketches for Witches Sabbath', 2012, Graphite and ink on paper

DENIS FORKAS KOSTROMITIN 'Study for the old man's head'

DENIS FORKAS KOSTROMITIN
Painter/illustrator/renowned cover artist born in 1977 in the town of Kamyshin on the river Volga, Russia. He currently lives and works in Moscow.

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE

AGOSTINO ARRIVABENE
Born in 1967, lives and works in Gradella di Pandino, Italy.

A growing number of scholars are openly questioning or actively arguing against Jesus’ historicity.


Most antiquities scholars think that the New Testament gospels are “mythologized history.” In other words, they think that around the start of the first century a controversial Jewish rabbi named Yeshua ben Yosef gathered a following and his life and teachings provided the seed that grew into Christianity.


At the same time, these scholars acknowledge that many Bible stories like the virgin birth, miracles, resurrection, and women at the tomb borrow and rework mythic themes that were common in the Ancient Near East, much the way that screenwriters base new movies on old familiar tropes or plot elements. In this view, a “historical Jesus” became mythologized.


For over 200 years, a wide ranging array of theologians and historians—most of them Christian—analyzed ancient texts, both those that made it into the Bible and those that didn’t, in attempts to excavate the man behind the myth. Several current or recent bestsellers take this approach, distilling the scholarship for a popular audience. Familiar titles include Zealot by Reza Aslan and How Jesus Became God by Bart Ehrman.


But other scholars believe that the gospel stories are actually “historicized mythology.” In this view, those ancient mythic templates are themselves the kernel. They got filled in with names, places and other real world details as early sects of Jesus worship attempted to understand and defend the devotional traditions they had received.


The notion that Jesus never existed is a minority position. Of course it is! says David Fitzgerald, author of Nailed: Ten Christian Myths That Show Jesus Never Existed at All. For centuries all serious scholars of Christianity were Christians themselves, and modern secular scholars lean heavily on the groundwork that they laid in collecting, preserving, and analyzing ancient texts. Even today most secular scholars come out of a religious background, and many operate by default under historical presumptions of their former faith. READ.


***


Ancient Confession Found: ‘We Invented Jesus Christ’ (October 9, 2013)
The Holy Bible Contradictions (August 21, 2013)
Religious people are less intelligent than atheists, according to analysis of scores of scientific studies stretching back over decades (August 13, 2013)
A Lamp in the Dark: Untold History of the Bible (2009) by CHRISTIAN J. PINTO (February 23, 2013)

BÖLZER

JAUNE COMME TES DENTS


Hommage au groupe suisse BÖLZER qui sera du Wings of Metal ce soir, sur scène à vingt heures quarante aux Katacombes, Montréal p.Q.


BÖLZER au Wings of Metal 2014, Montréal p.Q.

BÖLZER à leur arrivée à Montréal avec Wax, chauffeur désigné.

Le duo BÖLZER à son arrivée à Montréal accompagné de Wax, chauffeur désigné.





BÖLZER by Eisa.ch

NICOLA SAMORI 'Carnera' (2013)

NICOLA SAMORÌ 'Ogni Estasi è Indecente' (2011)

NICOLA SAMORI 'Rapture' (2010)

NICOLA SAMORÌ

NICOLA SAMORÌ 'Nubifregio' (2010)

NICOLA SAMORÌ

NICOLA SAMORI 'L'oro galleggia' (2011)

NICOLA SAMORÌ

NICOLA SAMORÌ

NICOLA SAMORÌ
Born 1977 in Forlì. Lives and works in Bagnacavallo, Italy.


Satan’s Sabbath / Le diable est parmi nous
Jean Beaudin, Canada, 1972, 89 min


The story of a man, 2 women and an inescapable pact made with the Devil. Following a friend’s apparent suicide, Paul (Pilon) begins to believe that something strange is going on. Following a series of harrowing events, Paul finds himself at a Black Mass where the truth will finally be discovered.


Le Diable est parmi nous / Satan’s Sabbath (1972) by JEAN BEAUDIN

Satan's sabbath (1972) by JEAN BEAUDIN

Liturgie Apocryphe

"The production of nervous force is directly connected with the diet of an individual, and its refining depends on the very purity of this diet, allied to appropriate breathing exercises.

The diet most calculated to act effectively on the nervous force is that which contains the least quantity of animal matter; therefore the Pythagorean diet, in this connection, is the most suitable.

...

The main object was to avoid introducing into the organism what Descartes called 'animal spirits'. Thus, all animals that had to serve for the nourishment of the priests were slaughtered according to special rites, they were not murdered, as is the case nowadays".