‘We follow photographer Sarah Sudhoff as she works on her series titled At the Hour of Our Death. In the series Sudhoff creates large-scale color photographs of stained fabrics from trauma scenes and discusses the invisibility of death in our culture. Learn more about the filmmakers at walleyfilms.com. Learn more about the artist at sarahsudhoff.com‘.
Couverture bricollée (Gil Nault & Amanita Bloom) à partir d’illusrations de Fritz Eichenberg, celles réalisées pour ‘Wuthering Heights‘ d’Emily Brontë et pour ‘Jane Eyre‘ de Charlotte Brontë.
Étienne et Dominic (d’Amanita Bloom) ont ensuite composé le mobilier à partir de fragments des gravures d’Eichenberg.
Chauds remerciements additionnels à l’endroit d’Annie-Ève Dumontier, Christian Ouellet et Olivier Maguire, l’étoile du match. L’album est paru mardi dernier sur l’étiquette Machette Records. Nos salutations à toute l’équipe.
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‘TV documentary about controversial satanic ritual abuse / recovered-memory / multiple personality disorder and the underground worldwide satanic network conspirators herding everybody back to church’. … ‘This aired on the British ITV network, and the United States on HBO. It has recently come into rotation on the US Arts and Entertainment cable network’.
Early Abstractions (1946-57)
Short animations by HARRY SMITH
‘Harry Everett Smith (29 May 1923, Portland, Oregon – 27 November 1991, New York City) was an American archivist, ethnomusicologist, student of anthropology, record collector, experimental filmmaker, artist, bohemian and mystic. Smith is a well-known figure in several fields. People who know him as a filmmaker often do not know of his 1952 Anthology of American Folk Music, while folk music enthusiasts often do not know he was « the greatest living magician » according to Kenneth Anger’ – WIKI
Transubstantiation
Charles Chadwick, USA, 2010, 8 min
A film with ritual as its central concept. Transsubstanciation is a process by which something ethereal is made material by an act of consciousness, by definition within Catholic ritual. This film seeks to create a permeability of forms and embodiment between painting, direct manipulation of the films’ surface, and physical alteration of its human subjects, with the transformative possibilities of ritual at the core. Film by CHARLES CHADWICK, in collaboration with painter Steven Leyba, and film diva Alexis Perez. This is the latest edit.
