Danzig ‘Am I Demon’ (1988)
Je sais je sais, tu l’as vu 122 fois.
Fuck Yeah Altars : fuckyeahaltars.tumblr.com
Fuck Yeah Black Metal : fuckyeahblackmetal.tumblr.com
Fuck Yeah Baphomet : fuckyeahbaphomet.tumblr.com
Fuck Yeah Churches! : fuckyeahchurches.tumblr.com
Fuck Yeah Ghosts : fuckyeaghosts.tumblr.com
Fuck Yeah Occultism : fuckyeahoccultism.tumblr.com
Fuck Yeah Paganism : fuckyeahpaganism.tumblr.com
Fuck Yeah Skulls and Skeletons : fuckyeahskullsandskeletons.tumblr.com
Fuck Yeah Upside Down Crosses : fuckyeahupsidedowncrosses.tumblr.com
***Bonus
Abystle : abystle.tumblr.com
The Bible of Demon : o-c-u-l-t-i-s-t-a.tumblr.com
Cosmic Dust : cosmic-dust.tumblr.com
Heptagram : heptagram.tumblr.com
HIGH M▲GI©K : highmagick.tumblr.com
Mίσος Aνθρωπος : invictvs.tumblr.com
mчşтîc lađy : mystic-lady.tumblr.com
Natvres Mortes Illvstrations : clovenhoov.tumblr.com
Spe//bound : bewitching.tumblr.com
VINDSVAL : vindsval.tumblr.com
Witch Mountain : witchmountain.tumblr.com
The photograph collection of the Hamilton Family fonds details Dr. T.G. (Thomas Glendenning) and Lillian Hamilton’s investigations of psychic phenomena in their home in Winnipeg, Manitoba between 1918 and 1945. The images detail numerous aspects of spiritualism including telekinesis, teleplasm, trance states and various other psychic phenomena.
Peyote Queen
Storm De Hirsch, USA, 1965, 9 min
A classic of the psychedelic tendency, Peyote Queen directed by the film-maker Storm De Hirsch
An attempt to visually render the wealth of kaleidoscope visions of peyote, the hallucinogenic cactus ritually used by the Indians of New Mexico. According to the film-maker, Peyote Queen is an exploration in the colour of ritual, in the colour of thought, a journey in the depths of sensorial disorder, of the inner vision, where mysteries are represented in the theatre of the soul.
Storm De Hirsch : Like many experimental filmmakers at the time, she did not begin her artistic career as a filmmaker. She had been a poet and published a number of works in the early 60s. She wanted to find a new mode of expression for her thoughts that went beyond words on the page, which is when she turned to filmmaking. Despite lack of recognition, she was very present in the underground film movement and socialized with every big name on the scene, filmmakers such as Stan Brakhage, Jonas Mekas, Shirley Clarke and others. She mentions Jack Smith, Ingmar Bergman, Gregory Markopoulos, Michaelangelo Antoniono, Vittorio De Seta, Ken Jacobs, Federico Fellini and Jonas and Adolphus Mekas as her favorite film-makers.