The Virgin Sacrifice (1969) by J. X. Williams


The Virgin Sacrifice (J. X. Williams, 1969) is a different case from the other films in this collection: the nine minutes here are all that remain of a feature film haunted by misfortune. Several deaths, a maiming, and a fire in the film lab hang over this production, the last claiming the negative, leaving only the film’s opening: a mute newcomer rents a room from two girls who startlingly resemble Marcia and Jan Brady; they casually let drop that they’re practicing Satanists (one of Anton LaVey’s crowd was the chief investor). Cut to yet another phantasmagoric montage, psychedelic effects swirling around naked people who appear to be alternately dancing and performing open-heart surgery.’

The Skeletons of Waldsassen Basilica, Bavaria, Germany

The Skeletons of Waldsassen Basilica

‘Waldsassen, a town in Bavaria in Germany, is famous for its Papal basilica in baroque style. The halls of the church have an unusual decoration. The skeletons of Christian martyrs, who were exhumed from the catacombs of Rome between 1688-1765, are situated in glass vitrines and embedded in the rest interior decoration of the church. They are also known as the  »Holy Bodies. »


What differentiates these skeletons from the standard skeletal relics is that they are dressed in extravagant 1700s royal costumes and covered in jewels. Each year the church celebrates these martyrs at the Holy Bodies Fest.’ – Via Morbid Anatomy


Plus d’infos / photos ici.

Ceci est un message enregistré (1973) de JEAN-THOMAS BÉDARD

Puisqu’on fait dans le off-road :

Ceci est un message enregistré
Jean-Thomas Bédard, Canada, 1973, 10 min 10 s


Animation réalisée à partir de journaux et de magazines. Les coupures, groupées et soumises à un mouvement fragmenté, font ressortir la réalité qui se cache sous l’image fallacieuse, dont la publicité incarne le pire des abus.

Free Fall (1964) d’ARTHUR LIPSETT

CONFESSION : Un post un peu hors-sujet, une histoire un peu trop longue à raconter. En gros c’est ma faute si il n’y a plus de films de Lipsett disponibles sur Ubuweb (‘Removed by request of the copyright holder’) … Tout ce qu’il en reste c’est ce vidéo qu’on avait ‘posté’ sur un autre blog – ‘reposté’ ici (par miracle toujours fonctionnel).  Je demande pardon.

 

Free Fall
Arthur Lipsett, Canada, 1964, 9 min 15 s

 

An experimental film from Arthur Lipsett, Free Fall is an assortment of film trimmings assembled to make a wry comment on humankind in today’s world. It evokes a surrealist dream of our fall from grace into banality.

 

***

 

Arthur Lipsett (May 13, 1936 – May 1, 1986) was a Canadian avant-garde director of short experimental films.

In the 1960s he was employed as an animator by the National Film Board of Canada. Lipsett’s particular passion was sound. He would collect pieces of sound and fit them together to create an interesting auditory sensation. After playing one of these creations to friends, they suggested that Lipsett put images to it. He did what his friends suggested, and the result became the 7 minute long film Very Nice, Very Nice which was nominated for the Academy Award for Best Short Subject, Live Action Subjects in 1962. Despite not winning the Oscar, this film brought Lipsett considerable praise from critics and directors. Stanley Kubrick was one of Lipsett’s fans, and asked him to create a trailer for his upcoming movie Dr. Strangelove. Lipsett declined Kubrick’s offer. Kubrick went on to direct the trailer himself; however, Lipsett’s influence on Kubrick is clearly visible when watching the trailer.

Lipsett’s film 21-87 was a profound influence on director George Lucas who included elements from 21-87 in THX 1138, his Star Wars films and also American Graffiti. The film 21-87 has been credited by Lucas as the source of the « The Force » in Star Wars. Lucas never met the filmmaker but tributes to 21-87 appear throughout Star Wars. For example, the holding cell of Princess Leia in Star Wars Episode IV: A New Hope on the Death Star is cell No. 2187.

Lipsett’s success allowed him some freedom, but as his films became more bizarre, this freedom quickly disappeared. He suffered from psychological problems. Later in his life he is said to have done strange things like taking a taxi from Toronto to Montreal (costing several hundred dollars). Lipsett committed suicide in 1986, two weeks before his 50th birthday.

 

Plus de détails sur Lipsett ici.

 

Aussi de Lipsett :

Very Nice, Very Nice (1961) ici.

21-87 (1964) ici.

A Trip Down Memory Lane (1965) ici.

Lecture suggérée

La Bible en images (Taschen)


Visions du Paradis et de l’Enfer


Les brûlantes illustrations de Lucas Cranach pour la Bible de 1534 de Luther : le livre qui a à jamais bouleversé la chrétienté


Publiée en 1534, la Bible de Martin Luther était la première Bible allemande complète. Sa diffusion a marqué un tournant majeur dans l’histoire de la chrétienté. La traduction révolutionnaire dans le langage vernaculaire, aussi moderne que son interprétation, rendit la Bible accessible aux non-initiés et a contribué de façon décisive à l’apparition de la Réforme en Europe du Nord et à la naissance d’une nouvelle religion, le protestantisme.


Les exemplaires les plus convoités incluaient des illustrations politiquement chargées au graphisme choquant, comme celles qui présentent la Putain de Babylone coiffée de la couronne papale et chevauchant un monstre à sept têtes, ou les Quatre Cavaliers de l’Apocalypse conduits par un soldat turc.


TASCHEN publie aujourd’hui ces 117 gravures sur bois autrefois coloriées à la main dans l’atelier de Lucas Cranach. Chacune d’elles a fait l’objet d’une reproduction méticuleuse à partir d’un exemplaire original rare et somptueux conservé à la Bibliothèque Herzogin Anna Amalia de Weimar. La préface de Stephan Füssel propose un aperçu de la vie de Luther, du contexte historique et de l’importance culturelle de la Bible de Luther, ainsi que des descriptions détaillées des illustrations et de leur iconographie.


TASCHEN


La Bible en images

La Bible en images

La Bible en images