Inside the Los Angeles Satanic Temple’s biggest EVER ‘black mass’

Dancing with the devil: Inside the Los Angeles Satanic Temple’s biggest EVER ‘black mass’ with blood-letting, demonic cats, tattoos… and ‘destruction rituals’


  • Los Angeles’ Satanic Temple chapter held its biggest event ever during Saturday night’s black mass
  • The event included a destruction ritual, an invocation ritual and a bloodletting ritual, all with live music
  • Guests also listened to a 45-minute lecture about demonic cats by occult expert Dr Paul Koudounaris
  • Satanic Temple, which preaches ‘practical common sense and justice’, has 24 chapters across the US


LOS ANGELES – The Satanic Temple Of Los Angeles, a chapter of a nationwide satanic organization, hosted a massive ‘black mass’ Saturday night, complete with a live bloodletting ritual and a 45-minute lecture about demonic cats.


Guests could also attend a destruction ritual and an invocation ritual, both with live music. The event doubled as a fundraiser for the chapter’s causes, with include women’s reproductive rights, the First Amendment and prisoner’s rights.


The Satanic Temple, headquartered in Salem, Massachusetts, has 24 chapters across the United states. Members of the movement, which calls itself an organized religion, do not believe in a personal Satan but say they preach rationalism and reject superstition.


VIP tickets to Saturday’s massive rally cost $66.60, while other guests paid $15. Attendees, many of which wore costume, were pictured by LAist enjoying six hours of Satanic activities, including live painting and tattooing.


Doors opened at 9 pm and the evening began with a comedy set by Satanist politician Steve Hill, who ran for the state Senate in California’s 21st district last year.


‘I’m a Satanist as far as trying to get people to understand that I don’t believe in the devil any more than I believe in God,’ Hill, a Democrat, once told Time Magazine. ‘All of it is stupid. But if I have to tell people I’m the devil to get them to listen, then, OK, I’m the devil.’


Guests were treated at 10 pm to a 45-minute lecture on demonic cats by writer, photographer and occult expert Dr Paul Koudounaris, who has also researched sexual encounters between the living and the dead.


The black mass continued with a destruction ritual from 11:55 to 12:45. Several members later asked for the text of the ritual, which was praised by one attendee as an ‘intense and awe-inspiring experience’. ‘These were things that I held in my hands These were things that belonged to me These were things that I held in my heart These are things that have meaning to me These things are not dead, because they never carried life. But I gave these things life, because they have carried me,’ the ritual began according to a transcript shared by The Satanic Temple Los Angeles on Facebook.


A one-hour invocation ritual followed at 1 am. The crowd later took part in a bloodletting ritual from 2:15 am to 2:45 am.



The Satanic Temple Los Angeles had teased the event ahead of time, saying it had faced ‘rampant opposition’ in the months leading up to it.


‘We hope you will celebrate liberation, rebellion and a new global Satanic alliance,’ an announcement read.


Funds raised during the black mass will go towards the group’s campaign for women’s reproductive rights, some lawsuits regarding First Amendment issues, and will go towards helping incarcerated individuals.


SATANIC MASS in Los Angeles, January 14th, 2017


Clemence Michallon
Daily Mail


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THE SATANIC TEMPLE’S SEVEN CORE BELIEFS


  1. One should strive to act with compassion and empathy towards all creatures in accordance with reason.
  2. The struggle for justice is an ongoing and necessary pursuit that should prevail over laws and institutions.
  3. One’s body is inviolable, subject to one’s own will alone.
  4. The freedoms of others should be respected, including the freedom to offend. To willfully and unjustly encroach upon the freedoms of another is to forgo your own.
  5. Beliefs should conform to our best scientific understanding of the world. We should take care never to distort scientific facts to fit our beliefs.
  6. People are fallible. If we make a mistake, we should do our best to rectify it and resolve any harm that may have been caused.
  7. Every tenet is a guiding principle designed to inspire nobility in action and thought. The spirit of compassion, wisdom, and justice should always prevail over the written or spoken word.

The Satanic Temple

MMXVI

Rapport annuel, bilan des opérations :



L'ABBATIALE DE LA LITURGIE APOCRYPHE, fondée en MMVII, Montréal p.Q.


MMXVI


Bien que l’A.L.A. soit maintenant sur Youtube, qu’ils aient réédité le livre Satanic Panic sur Fab Press, que les amers ‘Febris’ de SOMBRE & AMER soient utilisés dans la potion officielle des célébrations du 375e de Montréal et qu’on dénombre maintenant cinq vidéoclips dans lesquels figure un t-shirt de MI AMORE, la représentation la plus fidèle de MMXVI serait probablement cette scène, où nous incarnons à la fois le cheval et son jeune cavalier :




Artax


MI AMORE

SOMBRE & AMER est ravi de présenter le rockumentaire sur l’enregistrement de l’album ‘THE LAMB’ au studio GODCITY à Salem, MA




KEROB

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MI AMORE enregistrent ‘THE LAMB’ au studio GODCITY à Salem, MA, première partie (April 26, 2016)
MI AMORE enregistrent ‘THE LAMB’ au studio GODCITY à Salem, MA, deuxième partie (September 15, 2016)




HASHED OUT

HASHED OUT ‘Cosmic Pessimism’ 12″ sur L’Oeil du Tigre (ODT-030). Cover photo JEREMY F. COHEN (jeremyfcohen.com). Model ADRIAN ZGEB. Artwork & layout by HASHED OUT avec l’aimable collaboration de l’Abbatiale de la LITURGIE APOCRYPHE.


KARL FRIEDRICH THIELE 'The entrance of the queen of the night' (1819)

KARL FRIEDRICH THIELE ‘The entrance of the queen of the night’ (1819)


'Adrian' by JEREMY COHEN©

© Jeremy Cohen


VLADIMIR SKODA 'Untitled' (1988)

VLADIMIR SKODA ‘Untitled’ (1988)


HASHED OUT


HASHED OUT 'Cosmic Pessimism' (2016) on l'Oeil du Tigre

HASHED OUT 'Cosmic Pessimism' (2016)

HASHED OUT 'Cosmic Pessimism' (2016)

Assemblage Hashed Out 12″ #odthq #odt514

Une photo publiée par Nic Parise (@desordre_ordonne) le


HASHED OUT 'Cosmic Pessimism' 12" à venir sur L'Oeil du Tigre (ODT-030)

HASHED OUT 'Cosmic Pessimism' (2016)

HASHED OUT 'Cosmic Pessimism' (2016)

HASHED OUT 'Cosmic shirt'

HASHED OUT par Martin Blondeau

photo MARTIN BLONDEAU


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Solstitium, Alban Hefin, Samradh, Midsommar, Litha, Vestalia, Solstice Été MMXVI (June 20, 2016)
Alban Eifed, Cornucopia, Feast of Kyriat, Festival of Dionysus, Équinoxe d’Automne MMXVI (September 22, 2016)




SOMBRE & AMER



SOMBRE & AMER, Arbor, été MMXVI




‘Fondé par Gabriel D’Amours, SOMBRE & AMER a officiellement vu le jour dans la nuit du 27 au 28 septembre 2015, à l’occasion de l’apparition d’une rare super lune de sang. D’Amours explique :
« On a vu l’opportunité se profiler à l’horizon et on s’est dit que, considérant notre image, le lancement des premiers produits ne pouvait pas mieux tomber. »’


SOMBRE & AMER par RALPH ELAWANI dans le magazine BOUFFE, mai MMXVI

GAB D'AMOURS / SOMBRE & AMER MMXVI

Entrevue avec GABRIEL D’AMOURS, fondateur de SOMBRE & AMER – pour qui nous avons le plaisir de collaborer à l’élaboration de l’image de marque – dans le magazine BOUFFE, en ligne ici.
Entrevue gracieuseté de RALPH ELAWANI.


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SOMBRE & AMER dans le magazine BOUFFE (May 4, 2016)
Solstitium, Alban Hefin, Samradh, Midsommar, Litha, Vestalia, Solstice Été MMXVI (June 20, 2016)
Alban Eifed, Cornucopia, Feast of Kyriat, Festival of Dionysus, Équinoxe d’Automne MMXVI (September 22, 2016)




RUINS RIDER

Affiche pour le film de PIERRE-LUC VAILLANCOURT


Ruins Rider (2016) de PIERRE-LUC VAILLANCOURT





Ruins Rider
Pierre-Luc Vaillancourt, Canada, 2016, 49 min
*Original music by Marc Hurtado (Étants Donnés)



Filmed in the lost territories of the Balkans, Ruins Rider portrays the secret ruins that triggered trances over the past centuries. Using an array of hypnotic pulsating flickers, filmmaker PIERRE-LUC VAILLANCOURT conceived an explosive kinetic experience. Accompanied by a powerful soundtrack by MARC HURTADO of the mighty Étant Donnés, RUINS RIDER is a visceral experience of hypnagogic archeology and raw energy.


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Alban Eifed, Cornucopia, Feast of Kyriat, Festival of Dionysus, Équinoxe d’Automne MMXVI (September 22, 2016)

Jaune comme tes dents présente : Le TOP MMXVI




DEATHSPELL OMEGA ‘The Synarchy of Molten Bones’ (2016)
Norma Evangelium Diaboli




TEITANBLOOD ‘Accursed Skin’ (2016)
Norma Evangelium Diaboli




DEAD CONGREGATION ‘Sombre Doom’ (2016)
Martyrdoom Productions / Norma Evangelium Diaboli




NECROT ‘The Labyrinth’ (RE 2016)
Tankcrimes




URFAUST ‘Empty Space Meditation’ (2016)
Ván Records




ZHRINE ‘Unortheta’ (2016)
Season of Mist




BOLZER ‘Hero’ (2016)
Iron Bonehead Productions




ANTAEUS ‘Condemnation’ (2016)
Norma Evangelium Diaboli




ULCERATE ‘Shrines of Paralysis’
Relapse




FORTERESSE ‘Thèmes pour la rébellion’
Sepulchral Productions




CHTHE’ILIST ‘Le Dernier Crépuscule’ (2016)
Dark Descent / Profound Lore Records




GERUVAH ‘Hallelujah!’ (2016)
Profound Lore Records




PHOBOCOSM ‘Bringer of Drought’ (2016)
Dark Descent




GORGUTS ‘Pleiades’ Dust’ (2016)
Season of Mist



JAUNE COMME TES DENTS

La statue de l’Enfant-Jésus passera Noël sans tête

La statue de l’Enfant-Jésus érigée devant l’église Sainte-Anne-des-Pins au centre-ville de Sudbury passera un deuxième Noël sans tête après avoir été vandalisée il y a plus d’un an.


La tête originale de la statue de l’Enfant-Jésus, qui avait été dérobée il y a plus d’un an, sera remise en place au printemps prochain.


Il faut attendre le retour des températures douces, explique le prêtre de la paroisse, Gérald Lajeunesse.


Pour la protéger des intempéries et des vandales, il avait songé à rentrer la statue de Marie et de l’Enfant-Jésus dans l’église Sainte-Anne-des-Pins, mais elle ne peut pas être déplacée parce qu’elle est ancrée au sol.



Une opération délicate


La tête de la statue érigée devant l’église du centre-ville de Sudbury avait déjà été vandalisée, mais c’était la première fois qu’elle disparaissait.


Comme la tête a déjà dû être restaurée, il faut d’abord retirer les restes des adhérents sans abîmer davantage la pierre avant de la remettre en place. Cette opération est délicate, explique Gérald Lajeunesse.


Si c’était faisable, ce serait bien d’avoir une nouvelle [statue] identique à l’originale, mais en même temps elle perdrait un peu de son caractère historique.

– Gérald Lajeunesse, père de la paroisse Sainte-Anne-des-Pins


Gérald Lajeunesse garde précieusement la tête originale dans son bureau. Un homme qui a entendu parler de cette histoire est prêt à payer les réparations, selon le père Lajeunesse qui préfère taire son identité pour l’instant.



La tête temporaire rendue à l’artiste


La tête temporaire qui avait notamment suscité des moqueries sur les réseaux sociaux a été rendue à l’artiste locale Heather Wise.


Gérald Lajeunesse aurait aimé la garder et se dit intéressé à l’acheter à l’artiste si jamais elle souhaite la vendre.


Sur le plan personnel, le prêtre garde un bon souvenir de toute cette histoire. C’est le genre de choses qu’on ne nous apprend pas en séminaire, dit-il en riant.



Sophie Houle-Drapeau
Radio-Canada


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Victime de vandalisme, une statue de Jésus a une nouvelle tête temporaire (October 11, 2016)

An aging Montreal mystic brings his unique blend of spirituality and art to the streets of Manhattan

Billsville: Aging Mystic Brings His Art to New York City
Maisie Jacobson for CBC, Canada, 2016, 19 min 16 sec

 

In a tiny Montreal apartment, something strange is going on. Thousands of brightly coloured LED lights flash on and off, illuminating portraits of everyone from Frank Gehry to Anne Boleyn. On the few surfaces not covered by discarded electrical circuitry, pink bottles of “hooch” bubble away as they slowly ferment. Amidst the visual din, fantastical machines whir, hum and spin. At the centre of it all sits visionary artist BILL ANHANG, hard at work on his latest creation.

Spurred on by visions of God, Einstein, and Mohammed, BILL has dedicated the last 40 years of his life to producing some of the strangest and most enigmatic art on the planet. Now, at 85, he is about to emerge from his relative obscurity as he heads to New York City for the first major gallery show of his career, an exhibition featuring his work at the prestigious American Folk Art Museum in Manhattan. Billsville follows BILL to New York as he prepares to “share a new light with mankind.”

 

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Turning The Art World Inside Out (2013) by JACK COCKER (May 6, 2016)
Bozarts (1969) de JACQUES GIRALDEAU (June 20, 2013)
R.I.P., Rest in Pieces: A Portrait of Joe Coleman (1997) by ROBERT-ADRIAN PEJO (December 26, 2011)
MARCEL BARIL: figure énigmatique de l’art québécois (2002) (November 23, 2011)