Pope Francis declares evolution and Big Bang theory are real

Francis goes against Benedict XVI’s apparent support for ‘intelligent design’ – but does hail his predecessor’s ‘great contribution to theology’


The theories of evolution and the Big Bang are real and God is not “a magician with a magic wand”, Pope Francis has declared.


Speaking at the Pontifical Academy of Sciences, the Pope made comments which experts said put an end to the “pseudo theories” of creationism and intelligent design that some argue were encouraged by his predecessor, Benedict XVI.


Francis explained that both scientific theories were not incompatible with the existence of a creator – arguing instead that they “require it”.


“When we read about Creation in Genesis, we run the risk of imagining God was a magician, with a magic wand able to do everything. But that is not so,” Francis said. He added: “He created human beings and let them develop according to the internal laws that he gave to each one so they would reach their fulfilment.


“The Big Bang, which today we hold to be the origin of the world, does not contradict the intervention of the divine creator but, rather, requires it.


“Evolution in nature is not inconsistent with the notion of creation, because evolution requires the creation of beings that evolve.”


The Catholic Church has long had a reputation for being anti-science – most famously when Galileo faced the inquisition and was forced to retract his “heretic” theory that the Earth revolved around the Sun.


But Pope Francis’s comments were more in keeping with the progressive work of Pope Pius XII, who opened the door to the idea of evolution and actively welcomed the Big Bang theory. In 1996, John Paul II went further and suggested evolution was “more than a hypothesis” and “effectively proven fact”.


Yet more recently, Benedict XVI and his close advisors have apparently endorsed the idea that intelligent design underpins evolution – the idea that natural selection on its own is insufficient to explain the complexity of the world. In 2005, his close associate Cardinal Schoenborn wrote an article saying “evolution in the sense of common ancestry might be true, but evolution in the neo-Darwinian sense – an unguided, unplanned process – is not”.


Giovanni Bignami, a professor and president of Italy’s National Institute for Astrophysics, told the Italian news agency Adnkronos: “The pope’s statement is significant. We are the direct descendents from the Big Bang that created the universe. Evolution came from creation.”


Giulio Giorello, professor of the philosophy of science at Milan’s University degli Studi, told reporters that he believed Francis was “trying to reduce the emotion of dispute or presumed disputes” with science.


Despite the huge gulf in theological stance between his tenure and that of his predecessor, Francis praised Benedict XVI as he unveiled a bronze bust of him at the academy’s headquarters in the Vatican Gardens.


“No one could ever say of him that study and science made him and his love for God and his neighbour wither,” Francis said, according to a translation by the Catholic News Service.


“On the contrary, knowledge, wisdom and prayer enlarged his heart and his spirit. Let us thank God for the gift that he gave the church and the world with the existence and the pontificate of Pope Benedict.”



Adam Withnall
The Independent

Season of the Witch: How the Occult Saved Rock and Roll (2014) by PETER BEBERGAL

Season of the Witch: How the Occult Saved Rock and Roll (2014) by PETER BEBERGAL

Season of the Witch: How the Occult Saved Rock and Roll

This epic cultural and historical odyssey unearths the full influence of occult traditions on rock and roll—from the Beatles to Black Sabbath—and shows how the marriage between mysticism and music changed our world.


From the hoodoo-inspired sounds of Elvis Presley to the Eastern odysseys of George Harrison, from the dark dalliances of Led Zeppelin to the Masonic imagery of today’s hip-hop scene, the occult has long breathed life into rock and hip-hop and, indeed, esoteric and supernatural traditions are a key ingredient behind the emergence and development of rock and roll.


With vivid storytelling and laser-sharp analysis, writer and critic PETER BEBERGAL illuminates this web of influences to produce the definitive work on how the occult shaped—and saved—popular music.


As BEBERGAL explains, occult and mystical ideals gave rock and roll its heart and purpose, making rock into more than just backbeat music, but into a cultural revolution of political, spiritual, sexual, and social liberation.


mysterytheater.blogspot.ca


Season of the Witch: How the Occult Saved Rock and Roll (2014) by PETER BEBERGAL

Witchcraft: Myths and Legends (2009)

Witchcraft: Myths and Legends
National Geographic, USA, 2009, 2 x 47 min



Culture Documentary hosted by David McCullum, published by National Geographic, broadcasted as part of NG Taboo series in 2009. In the modern world, witchcraft and witches are dismissed as fantasies, but in many cultures, magic is alive and its practitioners admired and feared. Join National Geographic on a quest to find the stories behind the myths and legends of witchcraft. Along the way, we’ll meet an anthropologist who became a believer in Mexico and a « witch cleanser » in Zimbabwe.

CAMERON: SONGS FOR THE WITCH WOMAN presented at The MOCA, Los Angeles

CAMERON: SONGS FOR THE WITCH WOMAN presented at The Museum of Contemporary Art, Los Angeles (MOCA)

The Museum of Contemporary Art, Los Angeles (MOCA) presents

CAMERON: SONGS FOR THE WITCH WOMAN

from October 11, 2014 to January 11, 2015 at MOCA Pacific Design Center. Organized by guest curator Yael Lipschutz, the exhibition will be the largest survey of CAMERON’s work since 1989 and will include approximately 91 artworks and ephemeral artifacts. Alma Ruiz, Senior Curator at MOCA is the coordinating curator.

 

The exhibition will include pieces formerly thought to be lost, ranging from early paintings, to drawings, sketchbooks, and poetry from her late years, as well as ephemera and correspondence with individuals such as her husband, JACK PARSONS (1914-1952).

 

 

 

'Dark Angel' by CAMERON

 

CAMERON (Marjorie Cameron Parsons Kimmel, 1922-1995) emerged in the mid-1940s as an artist, performer, poet, and occult practitioner in Los Angeles. Born in Belle Plaine, Iowa, MARJORIE CAMERON (who would reject her first name as an adult) arrived in Hollywood after serving in the navy during World War II. Settling first in Pasadena and working as a fashion illustrator, in 1946 she met her first husband, JACK PARSONS, a rocket scientist and cofounder of the Jet Propulsion Laboratory who followed the esoteric mysticism of ALEISTER CROWLEY. The two soon married, their mystical bond transforming CAMERON’s life and art.

 
 

 

'East Angel' by CAMERON

 

 

 

A visionary painter and unparalleled draftsman whose work evokes Latin American and European surrealism, CAMERON rendered mythological figures with a singular attention to line and the idea of spiritual metamorphosis. Her philosophical explorations soon brought her into contact with Los Angeles’s beatnik and avant-garde film circles, and the unorthodoxy and breadth of her interests made her a unique link between the city’s flourishing spiritual and art worlds.

 

Over the following decades she dedicated herself to her art and mysticism while mentoring younger artists and poets such as Aya (Tarlow), Wallace Berman, George Herms, and David Meltzer. The first survey of CAMERON’s work since her passing in 1995, this exhibition reveals the seminal role she played within the development of Los Angeles’s midcentury counterculture.

 

 

CAMERON: SONGS FOR THE WITCH WOMAN
October 11, 2014 to January 11, 2015
MOCA
Pacific Design Center

 
 

Holy Guardian Angel according to Aleister Crowley (1966) by CAMERON

The Cameron-Parsons Foundation, Inc.

 

***

 

ROSALEEN NORTON (September 10, 2014)
Inauguration Of The Pleasure Dome (1954) by KENNETH ANGER (November 6, 2010)