Costumes of Still-Practiced Pagan Rituals of Europe

Wilder Mann by CHARLES FRÉGER

Wilder Mann by CHARLES FRÉGER

Wilder Mann by CHARLES FRÉGER


Now these are not your average Halloween costumes. For two years, French photographer CHARLES FRÉGER has been traveling throughout 19 European countries and trying to capture the spirit of what he calls “tribal Europe” in his “Wilder Mann” series. What he found was a huge array of pagan rituals, mainly related to the winter solstice and spring renewal, focusing on the common myth of the “wild man.”


Wilder Mann by CHARLES FRÉGER


It appears that the tradition of men dressing up as wild animals and monsters, which dates back to neolithic times and shamanism, is still very alive nowadays. The mythological figure of a “wild man” represents the complicated relationship humans have with nature and life and death cycles. His series explores the different interpretations of such figures – while some cultures depict him as covered in flowers or straws, others possess the features of bears, goats, or horned and hairy beasts.


Wilder Mann by CHARLES FRÉGER

Wilder Mann by CHARLES FRÉGER

CHARLES FRÉGER

Witches & Wicked Bodies

Delve into the world of Witches and Wicked Bodies in this major new exhibition, on view at The Scottish National Gallery of Modern Art until November 3, 2013.


Henry Fuseli, Three Weird Sisters from Macbeth, 1785, Mezzotint on paper 457 mm × 558 mm, © British Museum


Discover how witches and witchcraft have been depicted by artists over the past 500 years, including works by Albrecht Dürer, Francisco de Goya and William Blake, plus pieces by 20th century artists such as Paula Rego and Kiki Smith.


William Blake, The Whore of Babylon, 1809, Pen and black ink and water colours, 266 x 223 mm, © The Trustees of the British Museum

The Triple Hecate c 1795, William Blake, Polytype on paper 41.60 x 56.10 cm, © National Galleries of Scotland


Through 16th and 17th century prints and drawings, learn how the advent of the printing press allowed artists and writers to share ideas, myths and fears about witches from country to country.


John William Waterhouse, The Magic Circle, 1886, © Tate, London, Oil paint on canvas 1829 x 1270 mm


Including major works on loan from the British Museum, the National Gallery (London), Tate, the Victoria & Albert Museum, as well as works from the Galleries’ own collections, Witches and Wicked Bodies will be an investigation of extremes, exploring the highly exaggerated ways in which witches have been represented, from hideous hags to beautiful seductresses.


The Four Witches (Bartsch No. 75 (89), Dürer, Engraving on paper 19.00 x 13.10 cm, © National Galleries of Scotland

After Jacques de Gheyn II (1565-1629); engraved by Zacharias Dolendo (1561 – c. 1600), Invidia (Envy) 1596-7, Engraving 22.7 × 16.5cm, © Trustees of the British Museum, London

Union of Opposites (2012) by BRIAN BUTLER

 

Union of Opposites
Brian Butler, USA, 2012, 2 min 20

 

 

Union of Opposites is an experiment in ritual magick

 

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Brian Butler Conjures the Demon Bartzabel, Paul Koudounaris, Vice, January 10, 2013  (ici)

 

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Loch Ness Magick (2008) by BRIAN BUTLER (ici)
Brian Butler’s Magick Act, Steffie Nelson, The New York Times Magazine, June 1, 2011 (ici)

‘Windows to the Sacred’ presented at Buratti Fine Art (Australia)


Windows to the Sacred
Art Exhibition presented at Buratti Fine Art (Australia)
13th July until 20th August


Featuring original artworks by ALEISTER CROWLEY, ROSALEEN NORTON, BARRY WILLIAM HALE, JAMES GLEESON, KIM NELSON and DANIE MELLOR.


(From LAShTAL.com) Buratti Fine Art presents a special exhibition showcasing the various traditions and expression of esoteric art ranging from automatic drawing, digital art, printmaking, sculpture and painting. The work of contemporary artists are shown alongside international and historical artists and who have paved the way in one of the art world’s most exciting genres. Artworks previously exhibited at the Pompidou Centre and Palais De Tokyo will be on show.


View available artworks here.