Journey to avebury
Derek Jarman, UK, 1971, 10 min

Coil‘s Journey to Avebury was a ten-minute soundtrack made for a pre-existing Derek Jarman film, recorded in the early-mid 90s and never officially released …

… The short film doesn’t just record a visit to a historical (indeed, pre-historical) site; it is a piece of history itself, shot on Super 8 within Jarman’s first year of film-making (1971) and an obvious product of the period’s counter-cultural interest in occult secrets and mystical traditions. This is a film about the English countryside that seems rapturous in its appreciation, and it reminds you that for all of Jarman’s antagonism to the dominant British culture – especially during that grim stretch known as Thatcherism – it’s easy to put him within a group of ultra-English artists and mystics: your William Blakes, your John Dees, your Peter Ackroyds (ici) …

#Jaune, #Photographie, #Peinture, #Territoire

In the Shadow of the Sun
Derek Jarman, UK, 1980, 54 min

A DEREK JARMAN film with music by Throbbing Gristle. DEREK JARMAN used some of his 70s home movie footage to produce this wonderful piece of exploitational avantgarde cinema.

Actually the original material has been slowed down to a speed of 3-6 frames, then JARMAN added colour effects and the pulsating, menacing score by Industrial supergroup Throbbing Gristle. The result is a piece of art not to dissimilar to JARMAN’s painting work in using found footage as elements of memory and mind that resemble ideas reflected in the Cabala and in C.G. Jung’s writings about an archetypical past that is hidden in everyone of us. The first In the Shadow of the Sun (1974-80), was originally put together by JARMAN himself in 1974 from re-shot Super-8 material including footage from Tarot (aka the Magician, 1972) and A Journey to Avebury (1971), amongst several others.

The film was eventually blown-up to 35mm and premiered at the 1981 Berlin Film Festival. The focus on ritual, mysticism and obscure alchemical symbolism links it with the work of Anger. However, JARMAN’s preference for the work of Carl Jung and the “white” magician John Dee, is quite distinct from Anger’s invocations of the “black” magician A. Crowley.

T.G.: Psychic Rally in Heaven
Derek Jarman, UK, 1981, 8 min

Soundtrack by Throbbing Gristle (« Maggot Death – Live At Rat Club » from the album The Second Annual Report).

It features footage from a live performance and unintelligible visual noise, rhythmically interspersed to produce a throbbing effect

Loch Ness Magick
Brian Butler, USA, 2008, 9 min 21 sec

A magical ritual on the grounds of Aleister Crowley’s Boleskine House in Loch Ness. This house was later owned by Jimmy Page of Led Zeppelin

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THE VISION AND THE VOICE: THE CINEMA OF THE OCCULT

“Magick is the Science of understanding oneself and one’s conditions. It is the Art of applying that understanding in action.” – Aleister Crowley (Magick in Theory and Practice)

Not long since its inception the cinematic picture has been utilized to express both positive and negative sentiments towards the varied mystical traditions practiced in our present and our past. This is a list for those artists who have put forth questions or symbols alluding to mysticism, the esoteric, and occultism into their work as well as those who utilize the medium as an extension of their personal rituals and systems of practice. READ.