MIA-JANE HARRIS

MIA-JANE HARRIS 'Beautiful Corpse' (2012-2013)

MIA-JANE HARRIS 'Beautiful Corpse' (2012-2013)

MIA-JANE HARRIS 'Beautiful Corpse' (2012-2013)

MIA-JANE HARRIS 'Beautiful Corpse' (2012-2013)

MIA-JANE HARRIS 'Beautiful Corpse' (2012-2013)

MIA-JANE HARRIS 'Beautiful Corpse' (2012-2013)

MIA-JANE HARRIS 'Beautiful Corpse' (2012-2013)

MIA-JANE HARRIS 'Beautiful Corpse' (2012-2013)

MIA-JANE HARRIS 'Everyone can have that resurrection'

MIA-JANE HARRIS
London & Kent, UK.

 
 

My art delves into the curious, fascinatingly odd and morbidly beautiful. The idea of intriguing the viewers and pulling them in to my world with strange objects and morbid curios to manipulate peoples’ emotions on the subject of mortality – life, death & resurrection. My artwork challenges the inevitability of our disappearance after death by preventing decay and rescuing ‘junk’. I give a second life, an artistic resurrection, to deceased animals and second hand objects with the hope that in return this second chance I give them will help me live on through these creations when I am gone.

 

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The Dead (2010) de JACK BURMAN (September 13, 2011)
At the Hour of Our Death by photographer SARAH SUDHOFF (October 29, 2010)

Basilica di Diponto (2016) by EDOARDO TRESOLDI

Basilica di Diponto (2016) by EDOARDO TRESOLDI

Basilica di Diponto (2016) by EDOARDO TRESOLDI

Basilica di Diponto (2016) by EDOARDO TRESOLDI

Basilica di Diponto (2016) by EDOARDO TRESOLDI

Basilica di Diponto (2016) by EDOARDO TRESOLDI

Basilica di Diponto (2016) by EDOARDO TRESOLDI

« The work of EDOARDO TRESOLDI appears as a majestic architecture sculpture able to tell the volumes of existing early Christian Church and at the same time able to vivify, updating it, the relationship between the ancient and the contemporary. A work that, breaking up the secular controversy of the arts primacy, summarizes two complementary languages ​​into a single, breathtaking scenery. » – Simone Pallotta, Curator


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Luminarie De Cagna: A Cathedral Made from 55,000 LED Lights (January 31, 2012)

DAVID S. HERRERIAS

DAVID S. HERRERIAS 'Ego Dominus Tuus (2014)

DAVID S. HERRERIAS 'Eros and Thanatos dialogue' (2014) acrylics pastels and ink on paper

DAVID S. HERRERIAS 'Dionysian Ecstasies'

DAVID S. HERRERIAS 'Chalice of Revelation' (2015) acrylics on canvas, 44 x 35 cm

DAVID S. HERRERIAS 'Gate I' & 'Gate II' (2015), Ink and acrylics on paper

DAVID S. HERRERIAS 'Akhlys' (2015) acrylics and charcoal on paper

DAVID S. HERRERIAS 'Journey to the inorganic beings realm' (2015) Acrylics on paper, 30 x 30 cm

DAVID S. HERRERIAS 'Anabasis from deep comatose (2014)

DAVID S. HERRERIAS

DAVID S. HERRERIAS 'Sketch of Sphinx and Death's kiss (2015)

DAVID S. HERRERIAS 'Study of the Chalice of Revelation' (2015) 20 x 31cm

DAVID S. HERRERIAS 'The Triumph of Death' (2014)

DAVID S. HERRERIAS 'Vikalpa' (2014) charcoal graphite and blood on paper, 25 x 25 cm

DAVID S. HERRERIAS 'Zos - Kia' (2014)

DAVID S. HERRERIAS 'Zosimos Separatio' (2015) Acrylics and gilding on paper, 30 x 30 cm
 

DAVID S. HERRERIAS

 

Self-taught artist involved in occultism and alchemy, born in Mexico city in 1982. He moved to Sweden in the winter of 2006 and he is currently living and studying in Gothenburg.

Part of his work approach is to enter consciously in communication with higher spheres through an inner alchemical process in order to manifest them in some of his works, yet, he is still working in this process.

 

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DENIS FORKAS KOSTROMITIN (September 2, 2014)