Il nous restait une photo de celles qu’on avait posé à la grosse pomme l’an dernier (idéalement y’en aurait eu trois comme ici). Une opération rapide et (presque) sans trace.
‘Each week we pay homage to a select “Original Creator”—an iconic artist from days gone by whose work influences and informs today’s creators. These are artists who were innovative and revolutionary in their fields. Bold visionaries and radicals, groundbreaking frontiersmen and women who inspired and informed culture as we know it today. This week: Stan Brakhage’ … Read the full article here.
Dog Star Man
Stan Brakhage, USA, 1961-1964, 78 min
Probably his most famous work, Dog Star Man is a film cycle composed of a prelude and four distinct segments that, in their entirety, span seventy-eight minutes. He worked on the film from 1961 to 1964 and it fluctuates between different layers of image and superimposition. Each segment is compositionally and even narratively different, ranging from subjects such as the beginning of the universe and the Fall of Man. Later, he would expand the film into the four hour epic, the Art of Vision.
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#PreviouslyPublishedOnThisBlog : Glaze of Cathexis (1990) here & Cat’s Cradle (1959), here.
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Repost du Terrorizer Newshound :
Bob Larson, a well known American radio and tv evangelist and apparently one of the leading practitioners of modern Christian exorcisms, will conduct an exorcism next week on Jørn Stubberud, best known as the bassist in black metal band Mayhem (where he performs under the stage name ‘Necrobutcher’). The entire event will be filmed by NRK (Norwegian Broadcasting Corporation), the Norwegian government-owned radio and television public broadcasting company and the largest media organization in Norway, for a special program which will be aired in Norway in October.
By the late 1980s, Larson was often heard performing exorcisms of callers on the air, including Glen Benton of the death metal band Deicide, who became a regular caller.
LOUIS PERREAULT, originaire de l’estrie, vit et travaille à Montréal.
Photos tirées de son blog et de sa série ‘Entrelacs‘ (2009). Voyez aussi sa collaboration au projet du département des productions interactives de l’ONF (avec lequel nous avions fait Réminiscence Apocryphe), appelé ‘Otage de Moi‘.
Désolé, c’est un peu ‘hors-saison’ :
‘Here in the Mid-Atlantic region of the United States we are enduring our hottest weather of the year, so I found it quite refreshing to see these images from photographer/cinematographer Hervé Demers, who is currently living in Montréal, Canada. Demers is an award winning filmmaker whose latest work is called Le Grand Sault, a contemporary adaptation of a 200 year old Quebec folk/war story. A cinematic eye is evident in Demers’ photographic images, with the unique twist of using the narrowed view of square format, which is unexpected coming from a filmmaker. I like this dichotomy of vision …’ (ici)
HERVÉ DEMERS (30 septembre 1982), Montréal, Québec, Canada
La plupart des photographies proviennent de la série Les Premiers Soleils (les deux dernières de son profil Flickr). Merci Google+