The Skeletons of Waldsassen Basilica, Bavaria, Germany

The Skeletons of Waldsassen Basilica

‘Waldsassen, a town in Bavaria in Germany, is famous for its Papal basilica in baroque style. The halls of the church have an unusual decoration. The skeletons of Christian martyrs, who were exhumed from the catacombs of Rome between 1688-1765, are situated in glass vitrines and embedded in the rest interior decoration of the church. They are also known as the  »Holy Bodies. »


What differentiates these skeletons from the standard skeletal relics is that they are dressed in extravagant 1700s royal costumes and covered in jewels. Each year the church celebrates these martyrs at the Holy Bodies Fest.’ – Via Morbid Anatomy


Plus d’infos / photos ici.

‘The Last Sacrifice of Rite’ by AISLINN LEGGETT

Aislinn Leggett : The Last Sacrifice of Rite

Aislinn Leggett : The Last Sacrifice of Rite

Aislinn Leggett : The Last Sacrifice of Rite

Aislinn Leggett : The Last Sacrifice of Rite

Aislinn Leggett : The Last Sacrifice of Rite

AISLINN LEGGETT :


The Last Sacrifice of Rite is a work in progress, a study on the Catholic religion celebrated in rural communities. Villages in Quebec, those tucked away in valleys and winding roads throughout rural regions, are the areas that attract me the most.


Quebec was once a province where the Catholic Church was a very dominant institution in people’s daily lives. In smaller towns, priests were often as powerful as the local mayor. Archbishops of large cities were influential with the government and political decisions were mostly made in accordance with the Church’s beliefs. After the Quiet Revolution of the 1960’s, the institution that suffered the most was the Roman Catholic Church. Quebec’s social and moral values, which had all been anchored by the Church from the past, were questioned. Quebec became very secular.


When entering the church, the faces that look up from the pews are mostly older eyes framed by wrinkles and white glistening hair with the exception of some younger families that come every once and a while. There are no longer big families of 10 – 15 children lining the pews and important gatherings after mass are a thing of the past. The church and Sunday mass in small communities played a very important role, it was not only for the deeply devoted but was also a place for gathering and reunion. For women and men to gossip, to talk about the weather, about work and to simply take time and enjoy one another’s company. But today that sense of unity and gathering seems to be fading.


I have never experienced these days, I have only heard stories, nor have I ever seriously attended Catholic mass as a worshiper. My faith is somewhat of a constructed one following none but respectful of all. Being neither influenced nor offended, attending mass to observe and photograph is quite interesting. Watching mass, the process, the dance of the priest from bible to preaching and parishioners submissiveness of kneeling, standing and sitting unfolds almost like a rehearsed play. The people sit sporadically through the church, a building that can hold up to 1200 people, sits now maybe 50.


Priests try to keep their sermons contemporary, comparing Bible passages to recent news events, trying hard to keep up-to-date with lingo and the fast moving pace of today’s society to try to appeal to younger generations. But maybe they are a bit late with the attendance dwindling, at least for the younger people of the province, which see religion colliding with social morals and present ideals.


The Last Sacrifice of Rite is a study of what used to be a way of life, now transformed and how old values are trying to survive. It’s looking at people that are holding on to a deeply rooted tradition and priests that are determined to try and keep that ritual alive.


SOURCE

Le Jardin des Sortilèges

J. W. Waterhouse au Musée des Beaux Arts de Montréal

John William Waterhouse au Musée des Beaux Arts de Montréal (jusqu’au 7 février 2010).


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Vers un mysticisme pittoresque


Contrairement à la mode plus ancienne du spiritisme, science populaire qui cherchait à établir le contact entre un médium vivant et l’esprit d’un défunt, les mouvements occultes de la fin du XIXe et du début du XXe siècle, plus élitistes, étaient basés sur un enseignement ésotérique lié à une série de textes fondamentaux qui allaient de l’Antiquité classique à la poésie moderne dans la tradition romantique. Le « système imaginatif particulier » qui caractérise les oeuvres de la maturité de Waterhouse peut-il être attribué à une fascination pour l’occultisme ?


Il est tentant de voir dans l’étonnante rareté des documents conservés à son sujet l’indice d’une vie secrète, peut-être au sein d’une société occulte, mais cela relève de la pure spéculation : ces sociétés étant hermétiques par définition, elles se dérobent aux efforts des chercheurs. On remarquera tout au plus que ces oeuvres représentent systématiquement des mythes considérés comme particulièrement révélateurs par les milieux occultistes de l’époque. Dans ce contexte, il est important de noter que, même si l’occultisme se réclamait d’une tradition immémoriale, ce choix thématique donnait à l’oeuvre de Waterhouse une dimension résolument contemporaine, en phase avec les recherches du modernisme littéraire qui ont eu cours lors des décennies suivantes (…)


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