The Sorcerers (1967) de MICHAEL REEVES




The Sorcerers
Michael Reeves, UK, 1967, 87 min


Une copie 16mm sera présentée au Cinéma Blue Sunshine (Montréal) ce vendredi 14 octobre à 20:00


The Sorcerers (1967) by MICHAEL REEVES

‘Le deuxième des 3 films réalisé par Michael Reeves, le regretté enfant prodige du cinéma britannique décédé d’une overdose à l’âge de 24 ans, The Sorcerers n’a peut-être pas l’impact viscéral du chef-d’œuvre Witchfinder General (1968), mais est quand même féroce et original. Boris Karloff y joue un vieux scientifique de Londres vivant dans la pauvreté avec sa femme et rêvant d’une percée pour sa technique d’hypnose. Cherchant un cobaye, il met les mains sur Mike, un jeune homme malheureux, (Ian Ogilvy, ayant apparu dans les 3 films de Reeves) et bien sûr, les choses dégénèrent. Londres à son meilleur, pleines de mini-jupes et de boites de nuits, que la réalisation maîtrisée de Reeves transforme en un rêve éveillé et labyrinthique de violence, ouvrant la porte à vague d’horreur post-Hammer des années 70.’ (Cinéma Blue Sunshine)



The Sorcerers (1967) by MICHAEL REEVES

The Hafler Trio & Thee Temple Ov Psychick Youth Present Brion Gysin’s Dreamachine (1989)

The Hafler Trio & Thee Temple Ov Psychick Youth Present Brion Gysin's Dreamachine (1989)

The Hafler Trio & Thee Temple Ov Psychick Youth ‘Present Brion Gysin’s Dreamachine’ (1989) : Discogs | Download


The Hafler Trio & Thee Temple Ov Psychick Youth Present Brion Gysin's Dreamachine (1989)

‘This document contains specially designed recordings to enhance the effect of Brion Gysin’s Dreamachine. Initiated by Genesis P-Orridge, A.M. McKenzie, Paula and Caresse P-Orridge. Mixed, processed and manipulated at Suitcase Studios, 1987.’


The Hafler Trio & Thee Temple Ov Psychick Youth Present Brion Gysin's Dreamachine (1989)

Sur le même sujet :


Machine à rêves, prototype numéro un (ici)
‘Dreamachine’ nouvelle génération (ici)
The New Museum Contemporary Art (NYC) will present “Brion Gysin: Dream Machine” (ici)
Montréal Dreamachine (ici)

DAVID CHAIM SMITH

Amateurs de lignes, de diagrammes, de PAUL LAFFOLEY ou de kabbale ésotérique occidentale vous en serez enchanté :

 

David Chaim Smith 'Blood of Space Speaks (2009-2010)

David Chaim Smith 'Double Window Key'

 

SMITH’s drawings are vibrant, esoteric, beautiful, and inspired diagrams that hearken back to the tradition of alchemical art of the seventeenth century. While invoking memories of such amazing drawings, his work also goes beyond and extends this tradition. (Occult Of Personality)

 

David Chaim Smith 'Portal for a Drunken God' (2009-2010)

David Chaim Smith 'The Structural Balance of Substanceless Dreams' (2009-2010)

DAVID CHAIM SMITH (b.1964) is an artist and writer based in Brooklyn, New York.

 

1964: born in Queens New York City
1980-1982: philosophy and art history at Queens College
1982-1986: BFA in drawing at Rhode Island School of Design
1988-1989: MFA in drawing at Colombia University
1990: beginning of intensive study of alchemy and Western Esoteric Qabalah
1990-1997: ritual work and study with several western occult orders
1997: all activity in visual art suspended in favor of practical mysticism
1997-1998: residence at Crazy Cloud Hermitage
1998-2006: immersion in Chassidic mysticism and traditional Hebrew Kabbalah
2007: innovation of a set of graphic keys based on the 13th century mystical text ”Maayin HaChochmah”. Image making is resumed after 10 year hiatus.

American Mystic (2010) by ALEX MAR

American Mystic
Alex Mar, USA, 2010, 80 min

 

Set against a vivid backdrop of bucolic rural landscapes, American Mystic weaves together the stories of three young Americans exploring alternative religion. Chuck is a Native American sundancer and new father striving to balance his religious practice and family responsibilities in the South Dakota badlands; Morpheus is a pagan priestess who finds spirituality in the earthy terrain of California mining country; and Kublai explores Spiritualism in upstate New York, a modern incarnation of the area’s storied history of religious revivalism.

Alex Mar’s meditative documentary artfully sews together its subjects’ introspections with the landscapes of their quintessentially American districts. Their reflections are intercut with their work on the farm, drives along deserted highway, and hikes through mountain vistas. Gently applying these tropes of Americana to her story of fringe communities, Mar crafts a poetic tapestry of religious plurality, serving as a complement to prevalent depictions of religious America as homogenous and Christian. Chuck, Morpheus, and Kublai pursue religious insight in disparate, exceptional ways, but are united in a uniquely American vision of transcendence (TribecaFilm.com)

 

AmericanMysticTheMovie.com

Les Statues Meurent Aussi (1953) de CHRIS MARKER & ALAIN RESNAIS

‘Dieu lui a montré le chemin, il imite Dieu et c’est ainsi qu’à son tour, il invente l’Homme’

Les Statues Meurent Aussi
Chris Marker et Alain Resnais, France, 1953, 30 min

 

Quand les hommes sont morts, ils entrent dans l’histoire. Quand les statues sont mortes, elles entrent dans l’art. Cette botanique de la mort, c’est ce que nous appelons la culture.

 

Les Statues Meurent Aussi (1953) de CHRIS MARKER & ALAIN RESNAIS