Cardinal Theodore McCarrick Resigns Amid Sexual Abuse Scandal

ROME — Pope Francis has accepted the resignation of Cardinal Theodore E. McCarrick, the former archbishop of Washington, from the College of Cardinals, ordering him to a “life of prayer and penance” after allegations that the cardinal sexually abused minors and adult seminarians over the course of decades, the Vatican announced on Saturday.

 

Acting swiftly to contain a widening sex abuse scandal at the highest levels of the Roman Catholic Church, the pope officially suspended the cardinal from the exercise of any public ministry after receiving his resignation letter Friday evening. Pope Francis also demanded in a statement that the prelate remain in seclusion “until the accusations made against him are examined in a regular canonical trial.”

 

Cardinal McCarrick appears to be the first cardinal in history to step down from the College of Cardinals because of sexual abuse allegations. While he remains a priest pending the outcome of a Vatican trial, he has been stripped of his highest honor and will no longer be called upon to advise the pope and travel on his behalf.

 

A prominent Roman Catholic voice in international and public policy, Cardinal McCarrick was first removed from public ministry on June 20, after a church panel substantiated allegations that he had sexually abused a teenage altar boy 47 years ago while serving as a priest in New York.

 

Cardinal McCarrick, now 88, said in a statement at the time that he was innocent.

 

Subsequent interviews by The New York Times revealed that some in the church hierarchy had known for decades about accusations that he had preyed on men who wanted to become priests, sexually harassing and touching them. Then a 60-year-old man, identified only as James, alleged that Cardinal McCarrick, a close family friend, had begun to abuse him in 1969, when he was 11 years old, and that the abuse had lasted nearly two decades.

 

The Times investigation detailed settlements amounting to tens of thousands of dollars in 2005 and 2007, paid to men who had complained of abuse by Cardinal McCarrick when he was a bishop in New Jersey in the 1980s, and a rising star in the Roman Catholic Church.

 

On Saturday, the former altar boy whose abuse allegations started the unraveling of the cardinal’s lifetime of honors said in an interview that hearing news of the resignation felt like a “gut punch.”

 

The 62-year-old man, who identified himself only as Mike to protect his privacy, said he believed that Cardinal McCarrick was resigning only because he was being forced to, not because he was accepting responsibility.

 

“I am kind of appalled that it has taken this long for him to get caught,” he said, in the first time he has spoken publicly. “But I am glad I am the first one that could open the door to other people.”

 

Resignations from the College of Cardinals are extremely rare for any reason. The last resignation was of the French prelate Louis Billot in 1927, because of political tensions with the Holy See.

 

Keith Patrick O’Brien, a former archbishop of St. Andrews and Edinburgh, waived his rights as a cardinal in 2013, after accusations emerged of inappropriate sexual behavior with junior clergy. But he remained in the College of Cardinals until his death in March of this year.

 

Cardinal McCarrick’s resignation comes as Pope Francis faces increased pressure to show he is serious about cracking down on bishops and cardinals found to have abused people or covered up abuse.

 

After a Vatican envoy confirmed this year that the Roman Catholic Church in Chile had for decades allowed sexual abuse to go unchecked, the pope apologized, met with victims and accepted the resignation of some bishops — after the country’s clerical hierarchy offered to quit in May. On Monday, prosecutors in Chile said they were investigating 36 cases of sexual abuse against Catholic priests, bishops and lay persons.

 

In April, Cardinal George Pell of Australia, who as the Vatican’s finance chief is one of the Holy See’s highest officials, was ordered to stand trial in an Australian court on several charges of sexual abuse. The next month, Philip Wilson, the archbishop of Adelaide, was convicted of covering up a claim of sexual abuse in the 1970s.

 

Victims and their advocates have long held that bishops have not been held accountable for hiding sexual abuse. With his conviction, Archbishop Wilson became the highest-ranking Catholic official in the world to be convicted of concealing abuse crimes.

 

Last month, Msgr. Carlo Alberto Capella, a former Vatican diplomat in Washington, was found guilty and sentenced to five years in prison by a Vatican tribunal for possessing and distributing child pornography. His sentence was the first in modern history that the Vatican’s own tribunal had handed down in a clerical abuse case. He will now face a canonical trial, which could lead to his removal from the priesthood.

 

As the allegations against Cardinal McCarrick continued to mount in the last month, at least one prominent American cardinal has called for sweeping changes in how the Roman Catholic Church handles sex abuse allegations against bishops and allegations involving adult seminarians, who were not covered in the church’s sex abuse reforms of 2002.

 

“These cases and others require more than apologies,” Cardinal Sean O’Malley, the archbishop of Boston, said in a statement on Wednesday. “They raise up the fact that when charges are brought regarding a bishop or a cardinal, a major gap still exists in the church’s policies on sexual conduct and sexual abuse.”

 

The United States Conference of Catholic Bishops has not responded to calls for broader reform since the allegations against Cardinal McCarrick were made public last month. The president of the conference, Cardinal Daniel N. DiNardo, released a brief statement Saturday saying that the pope’s acceptance of the resignation “reflects the priority the Holy Father places on the need for protection and care for all our people and the way failures in this area affect the life of the Church in the United States.”

 

Terence McKiernan, president of BishopAccountability.org, which documents the sexual abuse scandal in the church and advocates for victims, called for Pope Francis to make the trial proceedings against Cardinal McCarrick public, and to open an investigation into how Cardinal McCarrick was permitted to advance his church career despite repeated warnings against him.

 

“The officials responsible must be identified and disciplined, and the investigative file must be made public,” Mr. McKiernan said in a statement.

 

Much remains unanswered about Cardinal McCarrick’s alleged abuses, including who in the church hierarchy knew what and when, and whether, as a supervisor, the cardinal handled abuse allegations appropriately in the dioceses he led.

 

“The resignation of one man is not the end, it’s really the beginning,” said Patrick Noaker, the lawyer representing the two men who said the cardinal had abused them as minors. “We now have to go out and find out if others were hurt.”

 
 

Elisabetta Povoledo and Sharon Otterman
The New York Times

 

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bishop-accountability.org : Documenting the Abuse Crisis in the Roman Catholic Church

 

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Les 34 évêques chiliens offrent leur démission après un scandale de pédophilie (May 18, 2018)
Le cardinal australien Pell sera jugé pour agressions sexuelles (May 1, 2018)
Pope revives lapsed sex abuse commission amid skepticism (February 17, 2018)
Le pape exprime sa “honte” pour des cas de pédophilie dans le clergé chilien (January 16, 2018)
Vatican police ‘break up gay orgy at home of secretary of one of Pope Francis’s key advisers’
(July 5, 2017)
Pédophilie dans l’Eglise : le poids du silence (2017) présenté par ELISE LUCET (May 18, 2017)
One in 14 Catholic priests accused of abuse in Australia (February 6, 2017)
Des prêtres de Montréal se verront interdire d’être seuls avec des enfants (June 23, 2016)
Le pape crée une instance pour juger les évêques couvrant des abus sexuels (June 10, 2015)
Les propos du pape sur la pédophilie ont des échos jusqu’au Québec (July 15, 2014)
Des victimes de prêtres veulent Mgr Ouellet comme pape (March 11, 2013)
Pornographie juvénile : un prêtre de Sorel-Tracy accusé (March 8, 2013)
Congrégations générales – Les problèmes de l’Église sur la table (March 7, 2013)
Agressions sexuelles: un deuxième frère de Sainte-Croix sera arrêté (December 29, 2012)
Symposium sur la pédophilie – Le pape appelle au «renouveau de l’Église» (February 15, 2012)
Pornographie juvénile – Sitôt condamné, l’ex-évêque Lahey est libéré (January 5, 2012)
Église néerlandaise: des «dizaines de milliers» de mineurs abusés sexuellement (December 16, 2011)
Pédophilie – L’Église veut éduquer son clergé par Internet (June 28, 2011)
Former Catholic bishop Raymond Lahey pleads guilty to child pornography charges (May 4, 2011)
Pédophilie – Le Vatican va envoyer une «circulaire» aux évêques (November 20, 2010)
Undercover Reporter Films Priests At Gay Clubs (July 26, 2010)
Le Vatican durcit les règles contre la pédophilie (July 15, 2010)
Top Catholic Priest Accused of Sexually Abusing His Own Sons (June 25, 2010)
Pope addresses priest abuse scandal (June 11, 2010)
Vatican Sex Abuse Prosecutor: Guilty Priests Are Going To Hell (June 4, 2010)
Priest Accused Of Abusing Boy, Turning Home Into ‘Erotic Dungeon’ Surrenders To Police
(May 26, 2010)
Le Vatican publiera un guide contre la pédophilie (April 9, 2010)
Agressions sexuelles par des membres du clergé – Les victimes exigent la démission de Mgr Ouellet (February 17, 2010)

 

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La névrose chrétienne (1976) par le Docteur PIERRE SOLIGNAC (May 25, 2012)

Allures (1961) by JORDAN BELSON

Allures
Jordan Belson, 1961, USA, 8 min

 

A metaphor of creation. Spirals, circles, and abstract forms move against alternating dark and light backgrounds. An orb changes color, appearing in flash frames. Dots resembling stars or atoms and galaxies with shooting stars are created on the screen. The stars then order themselves into lines. Exploding sunbursts end the film.

 

Allures (1961) by JORDAN BELSON

 

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“It’s a glorious thing if you don’t expect an explanation.” Jordan Belson on his Art

by Jordan Belson and Raymond Foye

 

When I lived in San Francisco (1977 – 79) the person I most wanted to meet (after Bob Kaufman) was Jordan Belson. But he had already become quite a famous recluse and all attempts were rebuffed. Belson’s remarkable underground films are often paired with Harry Smith’s: they were best friends and shared a painting studio on and off from 1948 until 1953; both were supported by Hilla Rebay, doyenne of non-objective painting and co-founder of the Guggenheim Museum. As psychedelic pioneers and be-bop fanatics, they planted the seeds for much of our present visual world. Yet while Smith’s early films used geometric space as their field, Belson explored the more unbounded states described in titles like Meditation, Transmutation, and Samadhi.

From 1957 – 59, Belson collaborated with electronic music pioneer Henry Jacobs on the late night series Vortex: Experiments in Sound and Light at the San Francisco Planetarium. Direct antecedents of the 1960s lightshows, the concerts were vastly successful and attracted all of the “heads” of the Bay Area. Film historian Cindy Keefer writes: “In the blackness of the planetarium’s 65-foot dome, Belson created spectacular illusions, layering abstract patterns, lighting effects, and cosmic imagery, at times using up to 30 projection devices.”

Quite unexpectedly in 1999 Harry Smith scholar Rani Singh offered to take me by Belson’s dark and elegant San Francisco apartment, which easily could have been transplanted from 18th-century Kyoto. Belson had returned to making visual art in earnest a few years earlier. He was both wary and eager to show us a series of pastels that were a remarkable summation of his belief in non-objective art as an all-encompassing aesthetic, from the pyramids of Egypt and the temples of India, to the new optics of psychedelics, NASA space photography, and the inner visions of meditation and yoga practice.

Belson proved to be witty and gracious, and very much in touch with contemporary art (he was particularly fond of Clemente, Taaffe, and Tomaselli). I was invited back once or twice a year for long sessions of talking and viewing. I was not allowed to photograph or run a tape, but taking notes was permitted. Over the next five years I filled a dozen small notebooks with his remarks, and when he died in 2011 (at the age of 85) I realized he’d been dictating a kind of testament.

The Van Gogh syndrome is a myth that dies hard. We all want to believe somewhere there is an undiscovered genius, plying his or her revolutionary work in quiet obscurity. Belson is as close to that as I have encountered. As a visual artist his will be a posthumous career. I hope the 1,200 works carefully preserved by his wife Cathy Heinrich soon find the art audience that unknowingly needs the wisdom and grace they contain.

 

READ

 

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Free Radicals (1958) de LEN LYE (August 23, 2011)
Opus-1 (1964) de PIERRE HÉBERT (August 11, 2010)
Autour de la perception / Around Perception (1968) de PIERRE HÉBERT (August 3, 2010)

Catholic priest slapping a crying baby while officiating at its baptism

 
 

On 22 June, CheckNews — the fact-checking arm of French newspaper Libération — reported (translation):

 

The scene unfolded during a baptism, which took place on 17 June in a church in Seine-et-Marne, not in Martinique or Belgium, as you might have read on social media in recent days.

 

When contacted by CheckNews, the spokesperson for the diocese said… the priest apologized to the family after the incident, and the baby was indeed baptized.

According to Libération, the diocesan spokesperson described the priest’s actions as “understandable, but not excusable,” and said: “A baptism can be long, and the baby was crying a lot.” In a statement published on 22 June, the diocese of Meaux, located 30 miles east of Paris, confirmed the priest’s suspension (translation):

 

This short video was an extract from a ceremony in which the baby was crying a lot. The elderly priest lost his cool and slapped the child. Mindful of this unwarranted act, the priest apologized to the family after the baptism. The loss of temper can be explained by the elderly priest’s tiredness, but that does not excuse it.

 

On Friday 22 June, Monsignor [Jean Yves] Nahmias, Bishop of Meaux, took precautionary measures whereby the priest is suspended from all marriage and baptism ceremonies.

The diocese has also suspended the priest from his duties at the parish church of Saint-Martin de Champeaux, where he is the rector, the statement added.

 

According to Émilie Geffray, a reporter for the French newspaper Le Figaro, the family of the child has filed a complaint against the priest, but it’s not clear whether that relates to the diocese or if formal criminal charges have been filed.

 
 

Dan MacGuill
Snopes

« Faites entrer le mal », article de RALPH ELAWANI paru dans le magazine Spirale, printemps 2018

Spirale

Magazine Spirale, numéro 264
Au diable l’autre. Figures et logiques du diabolique
Printemps 2018

 

 

RALPH ELAWANI :

 

Sur un mode légèrement différent (et en français, cette fois) de celui que (nous) avions adopté pour le livre Satanic Panic (Spectacular Optical / FAB Press), j’ai pondu un texte intitulé « Faites entrer le mal » pour la prochaine livraison de Spirale.

 

On y parle d’Anton LaVey, de Lawrence Pazder, de Jeffrey S. Victor, d’Oprah Winfrey, du viol de la conscience collective québécoise par le rock, du père Régimbal, du rapport Lanning, des recherches de Bertrand Ouellet, de pompiers pyromanes, de la confluence de rapprochements hasardeux, de fondamentalisme pervers, de la nécessité de se méfier des purs et du fait qu’en épluchant les revues contreculturelles parues au cours des décennies 60-70 au Québec, on s’étonne de ne trouver pratiquement aucune référence à l’Église de Satan ou aux enseignements de LaVey – mais on relève ironiquement bien des textes vantant les mérites des relations sexuelles entre adultes et enfants.

 

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Is Satan Still a Big Deal in 2016 (June 27, 2016)
Satanic Panic Hardcover Collector’s Set now available from FAB Press (May 15, 2016)
MMXV, Rapport annuel, bilan des opérations (December 31, 2015)
KIER-LA JANISSE and PAUL CORUPE launch Satanic Panic: Pop-Cultural Paranoia in the 1980s (July 3, 2015)
Alban Hefin, Midsommar, Litha, Samradh, Vestalia, Solstitium, Solstice Été MMXV (June 21, 2015)
A new anthology book on how the fear of a Satanic conspiracy spread through 1980s pop culture
(June 15, 2015)
Satanic Panic: Pop-Cultural Paranoia in the 1980s (March 31, 2015)

NUMA AMUN, récipiendaire de la troisième édition du Prix en art actuel du MNBAQ

 

 

Le Musée national des beaux-arts du Québec (…) est heureux de dévoiler le récipiendaire de la troisième édition du Prix en art actuel du MNBAQ, l’artiste NUMA AMUN, qui remporte ainsi ce prix bisannuel unique au Canada.

 

Découvrez la démarche profondément spirituelle de NUMA AMUN dans cette capsule vidéo réalisée à partir d’un entretien avec l’artiste qui a eu lieu à l’église du Très-Saint-Nom-de-Jésus dans Hochelaga-Maisonneuve. C’est d’ailleurs dans ce lieu richement ornementé de style romano-byzantin que ce dernier a présenté sa plus récente exposition. Ce reportage consacré à NUMA AMUN met en lumière sa technique de peinture, ses inspirations et des œuvres qui seront présentées au MNBAQ en 2019.

 

Jaune ombré, 2007-2009, encre de couleur peint sur papier

 

L’art mort, 2000, acrylique sur toile

 

La faisabilité du deuil ecclésiastique, 2002, acrylique sur toile

 

Violet, 2007-2009, encre de couleur peint sur papier

 

Lambrequin animé, 2003, acrylique sur toile, Context Gallery, 2010

 

 

NUMA AMUN, vit et travaille à Montréal.