Heaven and Earth Magic (1957-1962) by HARRY SMITH

Heaven and Earth Magic
Harry Everett Smith, USA, 1957-1962, 66 min

 

Heaven and Earth Magic (also called Number 12, The Magic Feature, or Heaven and Earth Magic Feature) is an American avant garde feature film made by Harry Everett Smith. Originally released in 1957, it was re-edited several times and the final version was released in 1962. The film primarily uses cut-out-animated photographs.

 

Heaven and Earth Magic (1957-1962) by HARRY SMITH

Heaven and Earth Magic (1957-1962) by HARRY SMITH

 

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No. 11: Mirror Animations (1956-57) by HARRY SMITH (November 18, 2013)
“Early Abstractions” (1946-57) by HARRY SMITH (October 27, 2010)

A Catholic school is forced to cover up a brand new statue after the ‘unfortunate’ design shows a kneeling boy and a saint holding a loaf of bread


A Catholic school is forced to cover up a brand new statue after the ‘unfortunate’ design shows a kneeling boy and a saint holding a loaf of bread.



  • Adelaide Catholic school has covered up a statue after its image went viral
  • It depicts a saint handing a loaf of bread from his cloak to a kneeling young boy
  • Instagram went wild, with many mocking Blackfriars Priory School’s statue


ADELAIDE, AUSTRALIA – A Catholic boys school has been forced to cover up a brand new statue after a rather unfortunate design created a storm on social media.


Blackfriars Priory School in Adelaide last week unveiled a statue of St Dominic handing a young boy a loaf of bread.


However the design featuring a boy kneeling at the foot of the 12th century Spanish-born saint has caused embarrassment to the inner-city school, which teaches boys from kindergarten to year 12.


A black cloth now covers the statue of the saint, who was recognised for performing the miracle of multiplying bread.


The school was forced to cover the statue with a black cloth after students took inappropriate photos on Friday, the Adelaide Advertiser reports.


This week, it was completed cordoned off. Images of the statue were shared on Instagram page S***Adelaide, attracting 1315 likes and more than 359 comments by Wednesday morning.


‘Like who the hell designed, approved and erected it and no one thought about it?’,’ one critic said

Another wondering about the vetting process. ‘Was there seriously no one that looked at this before it was installed?,‘ she asked. One woman suggested it was an innocent statue. ‘He’s just giving the boy some bread,’ she said. But one man pointed out the unfortunate sex abuse connotations involving Catholic priests and young boys. ‘Hahahaha pedo priest,’ he said.



Stephen Johnson
Daily Mail Australia


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One in 14 Catholic priests accused of abuse in Australia (February 6, 2017)

Bight of the Twin (2016) by HAZEL HILL McCARTHY III presented by BOILER ROOM

Following a theatrical run at ICA, Unsound, CTM and SF Doc Fest, Boiler Room presents the online premiere of Bight of the Twin, a new arthouse film starring counter-cultural icon Genesis Breyer P-Orridge (merci Pierre-Luc) :

 

Bight of the Twin
Hazel Hill McCarthy III, 2016, USA, 55 min

 

Bight of the Twin (2016) by HAZEL HILL McCARTHY III

 

Serial transgressor Genesis Breyer P-Orridge travels to Benin, Africa, to explore voodoo twin cults and dark mysticism

 

Bight of the Twin tells the story of musician and artist Genesis’ journey to Ouidah in Benin to explore the origins of the Vodoun (Voodoo) religion. Transcending assumptions of what it means to be “gendered,” Genesis Breyer P-Orridge and h/er late wife Lady Jaye underwent a series of surgical procedures to become physically identical to one another, seeking to perfect a gender-neutral state through a process they termed ‘pandrogyny’.

In Benin, which has the highest national average of twins per birth in the world, twins carry sacred meaning and are venerated as gods. When one sibling passes away, the remaining twin remembers their lost other by carrying around a small, carved replica of their dead brother or sister.

Beginning as an investigation, the nature of the project changes drastically when Genesis is serendipitously initiated into the ‘Twin Fetish’ – a practice within Vodoun that honors twins by activating a dead twin’s spirit in order to allow for the living one to remain connected with the one who has passed. Through a series of sacrifices and ceremonies, Genesis reaffirms an eternal bond with h/er late wife Lady Jaye: a deeply interdimensional connection of Western civilization and African ritual.

Ultimately, during shooting the nature of the film changed from simply being a catalyst for audiences to gain a wider understanding and acceptance of Vodoun, to being itself, Vodoun—an object that has been activated by creation.

 

bightofthetwin.com

 

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Bight of the Twin (2014) by HAZEL HILL McCARTHY III (July 1, 2014)

 

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Could it be magick? The occult returns to the art world (July 1, 2016)
First Transmission (1982) by PSYCHIC TV (January 7, 2015)
Les yeux de GENESIS BREYER P-ORRIDGE présentés à La Centrale (October 1, 2012)
La bible psychique de GENESIS BREYER P-ORRIDGE (December 7, 2010)
‘Thee Psychick Bible’ A New Testameant By GENESIS BREYER P-ORRIDGE (October 27, 2009)

Upcoming screenings of Ruins Rider (2017) by PIERRE-LUC VAILLANCOURT

Ruins Rider is part of an ongoing archeology project involving extensive research in lost civilisations


Ruins Rider (2017) by PIERRE-LUC VAILLANCOURT

Upcoming screenings of raw energy :


  • Cinémathèque québécoise (Montreal, Canada)
    19, 20, 25 & 27 September 2017
  • Arctic Moving Image & Film Festival (Harstad, Norway)
    19-22 October 2017
  • Forma Free Music Impulse Festival di Arti Elettroniche (Udine, Italy)
    program w/ Ryoji Ikeda, Cellule d’Intervention Metamkine, etc.
    2-4 November 2017



Ruins Rider
Directed by PIERRE-LUC VAILLANCOURT. Original music by MARC HURTADO.
2017 / 49 minutes



Filmed in the lost territories of the Balkans, Ruins Rider portrays the secret ruins that triggered trances over the past centuries. Using an array of hypnotic pulsating flickers, filmmaker PIERRE-LUC VAILLANCOURT conceived an explosive kinetic experience. Accompanied by a powerful soundtrack by MARC HURTADO of the cult project Étant Donnés, Ruins Rider is a visceral experience of hypnagogic archeology and raw energy.


Ruins Rider (2016) de PIERRE-LUC VAILLANCOURT

Ruins Rider (2016) de PIERRE-LUC VAILLANCOURT

Images tirées de Ruins Rider (2016) de PIERRE-LUC VAILLANCOURT



« Remarkable, invigorating and immersive work. A deeply committed and brilliantly hypnotic film. Powerful. »
– ALCHEMY FILM & MOVING IMAGE FESTIVAL


« Ruins Rider is marked as the most powerful of the films that I have seen. It’s a real subject explored with great energy using the new art of the computer to great effect and viscerally stimulating. There is history and ideas and technological wizardry. »
– FILMMAKER, WRITER & PHOTOGRAPHER TIMOTHY NEAT


« For Pierre-Luc Vaillancourt this is an attempt to inject a convulsive barbarization, or a self-barbarization as Alain Brossat calls it, into the anesthetized social body in order to jolt it with a reviving electroshock. »
– ESSE ARTS + OPINIONS


« Mover-and-shaker Pierre-Luc Vaillancourt treated us to a night of his curated film showings at San Francisco Cinematheque. His goal is to “push the envelope” and we think he succeeded! »
– RE/SEARCH PUBLICATIONS. V. VALE


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MMXVI (December 31, 2016)
Alban Eifed, Cornucopia, Feast of Kyriat, Festival of Dionysus, Équinoxe d’Automne MMXVI (September 22, 2016)

Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897

Wishlist Nativité 2017 :

 
 

Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897

 

Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897

 

El Graal (1893) ROGELIO DE EGUSQUIZA

El Graal (1893) ROGELIO DE EGUSQUIZA

 
 

Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897

 

Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897

The Death of Orpheus (1893) JEAN DELVILLE

 
 

Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897

 

Orpheus in Hades (1897) PIERRE-AMÉDÉE MARCEL BÉRONNEAU

 
 

Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897

Edited by Vivien Greene
Contributions by Greene, Jean-David Jumeau-Lafond, and Kenneth E. Silver, as well as Ylinka Barotto, Caroline Guignard, Alison Hokanson, Natalia Lauricella, and Glynnis Stevenson

 

Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897 accompanies the first-ever museum presentation examining the Salon de la Rose+Croix (R+C), a series of annual exhibitions established by eccentric French author, critic, and Rosicrucian Joséphin Péladan. The R+C convened an international group of Symbolist artists around a shared refutation of Realist aesthetics and philosophy, frequently in favor of the Ideal. Among the participants were Pierre Amédée Marcel-Béronneau, Jean Delville, Fernand Khnopff, Charles Maurin, Armand Point, Alexandre Séon, and Félix Vallotton.

 

Bound in red velvet with gold stamped lettering to conjure the sensorially evocative atmosphere of the Salons, the catalogue features essays about the history, themes, and often transcendent aims of the R+C (Greene), its reception by the press and the public in the 1890s (Jumeau-Lafond), and the importance of spiritualism to early 20th-century abstraction (Silver). This richly illustrated volume also contains 46 color plates, entries on each exhibited artist, and a bibliography of contemporary sources on Symbolist art.

 

DETAILS

 

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Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897

Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897
June 30 – October 4, 2017
Solomon R. Guggenheim Museum, New York

 

DETAILS