The Pendulum, The Pit And Hope (1983) by JAN ŠVANKMAJER

 

The Pendulum, The Pit And Hope (Kyvadlo, jáma a nadeje)
Jan Švankmajer, Czechoslovakia, 1983, 15 min
Adapted from Edgar Allan Poe’s The Pit and the Pendulum

 

The Pit and the Pendulum (Harry Clarke)

Illustration for Edgar Allan Poe’s story The Pit and the Pendulum by Harry Clarke (1889-1931), first printed in 1919.

 

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Autres films de Jan Švankmajer publiés précédemment : The Ossuary (1970) ici et The Fall of the House of Usher (1982) ici.

Altered States (1980) by KEN RUSSELL

Altered States
Ken Russell, USA, 1980, 102 min
Audio excerpts from Voile D’Orphée by Pierre Henry

 

A Harvard scientist conducts experiments on himself with a hallucinatory drug and an isolation chamber that may be causing him to regress genetically. IMDb

 

Altered States (1980) by Ken Russell

 

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On le met en relation avec le Cerveau Mystique (2006) d’Isabelle Raynauld (on en parlait ici), les Witches’ Cradles (2009) du Center for Tactical Magic (ici), la Hofmann’s Potion (2002) de Connie Littlefield (ici) et la pochette du groupe Godflesh pour l’album Streetcleaner (1989)


Eraserhead (1977) by DAVID LYNCH

 

Eraserhead
David Lynch, USA, 1977, 89 min

 

‘Eraserhead is my most spiritual movie. No one understands when I say that, but it is.’ He went on to write about the difficulties he was having making sense of the way the film was « growing » and didn’t know the thing that just pulled it all together. He then reveals it was the Bible that provided the solution:

‘So I got out my Bible and I started reading. And one day, I read a sentence. And I closed the Bible, because that was it; that was it. And then I saw the thing as a whole. And it fulfilled this vision for me, 100 percent.’ – WIKI

 

Eraserhead (1977) by David Lynch

Eraserhead (1977) by David Lynch

La villa Santo Sospir (1952) de JEAN COCTEAU

La villa Santo Sospir
Jean Cocteau, France, 1952, 35 min

 

A 35-minute color film by COCTEAU entitled “La Villa Santo Sospir.” Shot in 1952, this is an “amateur film” done in 16mm, a sort of home movie in which Cocteau takes the viewer on a tour of a friend’s villa on the French coast (a major location used in Testament of Orpheus). The house itself is heavily decorated, mostly by COCTEAU (and a bit by Picasso), and we are given an extensive tour of the artwork. COCTEAU also shows us several dozen paintings as well. Most cover mythological themes, of course. He also proudly shows paintings by Edouard Dermithe and Jean Marais and plays around his own home in Villefranche. This informal little project once again shows the joy COCTEAU takes in creating art, in addition to showing a side of his work (his paintings and drawings) that his films often overshadow.

The Fall of the House of Usher (1982) by JAN ŠVANKMAJER

The Fall of the House of Usher
Jan Švankmajer, Czechoslovakia, 1982, 15 min


In this animated version of Edgar Allan Poe’s story, a traveler arrives at the Usher mansion to find that the sibling inhabitants are living under a mysterious family curse: The brother’s senses have become painfully acute, while his sister has become nearly catatonic. As the visitor’s stay at the mansion continues, the effects of the curse reach their terrifying climax, and he must choose between his concern for his hosts’ safety, and his own. – IMDb