HyperNormalisation (2016) by ADAM CURTIS

HyperNormalisation
Adam Curtis, 2016, UK, 166 min

 

HyperNormalisation wades through the culmination of forces that have driven this culture into mass uncertainty, confusion, spectacle and simulation. Where events keep happening that seem crazy, inexplicable and out of control—from Donald Trump to Brexit, to the War in Syria, mass immigration, extreme disparity in wealth, and increasing bomb attacks in the West—this film shows a basis to not only why these chaotic events are happening, but also why we, as well as those in power, may not understand them. We have retreated into a simplified, and often completely fake version of the world. And because it is reflected all around us, ubiquitous, we accept it as normal. This epic narrative of how we got here spans over 40 years, with an extraordinary cast of characters— the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, early performance artists in New York, President Putin, Japanese gangsters, suicide bombers, Colonel Gaddafi and the Internet.

HyperNormalisation weaves these historical narratives back together to show how today’s fake and hollow world was created and is sustained. This shows that a new kind of resistance must be imagined and actioned, as well as an unprecedented reawakening in a time where it matters like never before.

thoughtmaybe.com

 

HyperNormalisation (2016) by ADAM CURTIS

 

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The Trap: What Happened to Our Dream of Freedom (2007) de ADAM CURTIS (December 9, 2011)
The Century Of Self (2002) by ADAM CURTIS (December 23, 2010)

 

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Requiem for the American Dream
Peter D. Hutchison, Kelly Nyks, Jared P. Scott, USA, 2015, 73 min

 

Using interviews filmed over four years, Noam Chomsky discusses the deliberate concentration of wealth and power found in the hands of a select few.

 

requiemfortheamericandream.com

 

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Why Humans run the World (June 17, 2015)
In girum imus nocte et consumimur igni (1978) de GUY DEBORD (October 22, 2011)

The Flowers of St. Francis (1950) by ROBERTO ROSSELLINI

 
The Flowers of St. Francis
Roberto Rossellini, Italy, 1950, 87 min

 

In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.

 

The Flowers of St. Francis (1950) by ROBERTO ROSSELLINI

The Flowers of St. Francis (1950) by ROBERTO ROSSELLINI

 

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Black Narcissus (1947) by MICHAEL POWELL and EMERIC PRESSBURGER (April 22, 2016)
Vredens Dag (1943) by CARL THEODOR DREYER (June 20, 2013)
Andrei Rublev (1966) by ANDREI TARKOVSKY (February 17, 2013)

Fluxes (1968) by ARTHUR LIPSETT

Fluxes
Arthur Lipsett, Canada, 1968, 24 min

 

This experimental short conveys avant-garde filmmaker ARTHUR LIPSETT’s view of the human condition and the chaotic planet on which we live. As in his other films (Very Nice, Very Nice; 21-87), the flow of images in Fluxes seems somewhat disjointed and erratic – yet it all builds up to a devastating indictment of the modern world. The film’s only commentary consists of unrelated snatches of words and sounds.

 

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  • N-Zone (1970) by ARTHUR LIPSETT (May 11, 2016)
  • The Arthur Lipsett Project: A Dot on the Histomap (2007) by ERIC GAUCHER (March 15, 2012)
  • Images tirées du film N-Zone (1970) d’ARTHUR LIPSETT (July 9, 2011)
  • Remembering Arthur (2006) by MARTIN LAVUT (May 12, 2011)
  • A Trip Down Memory Lane (1965) & Very Nice, Very Nice (1961) by ARTHUR LIPSETT (May 12, 2011)
  • 21-87 (1964) by ARTHUR LIPSETT (January 31, 2011)
  • Free Fall (1964) d’ARTHUR LIPSETT (April 28, 2010)

Deprogrammed (2015) a film by MIA DONOVAN

Présentement à l’affiche à la Cinémathèque (Montréal, p.Q.) :
 

Deprogrammed
Mia Donovan, Canada, 2015, 86 min

 

Deprogrammed chronicles Ted ‘Black Lightning’ Patrick’s anti-cult crusade. His practice of ‘deprogramming’, also known as ‘reverse brainwashing’, started in the early 1970s and quickly snowballed into a vast underground movement composed of concerned parents, ex-cultist-turned-deprogrammers and some sympathetic law-enforcers whose mission was to physically and mentally remove individuals from ‘cults’.

My stepbrother Matthew’s love of heavy-metal-music, juvenile delinquent tendencies and fixation on the Satanic Bible led his father to hire Patrick to deprogram Matthew while confining him to a motel room for 8-days. In 2011, after 18-years of estrangement, I sought Matthew out and discovered that the deprogramming that he endured did more harm than good. This led me to a deeper inquiry into Ted Patrick’s pioneering technique, resulting in a 2-year journey to track down others who’d been deprogrammed. Through interviews and the never-before-seen archives of the actual deprogrammings of those individuals, the film will begin to unravel what it might mean to be in a high-control group under a form of ‘thought-control’, the line where free will begins to blur.

Along with extensive interviews with the now 84-year-old Father of deprogramming himself as he reflects on his career, news archives will also reveal the changing attitude that the public and law enforcement agencies developed towards Ted Patrick’s controversial approach to deprogramming. Looking back at the involuntary deprogramming era (1971 until around 1990) this documentary questions how much the practice was a result of moral panic and how much of it was in fact a matter of cultic mind-control?

 

Deprogrammed (2015) a film by MIA DONOVAN

eyesteelfilm.com/deprogrammed

 

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Marjoe (1972) by HOWARD SMITH & SARAH KERNOCHAN (October 24, 2012)
Deliver Us From Evil (2006) by AMY J. BERG (October 23, 2012)
Jesus Camp (2006) de HEIDI EWING & RACHEL GRADY (September 20, 2011)

N-Zone (1970) by ARTHUR LIPSETT

N-Zone
Arthur Lipsett, Canada, 1970, 45 min

 

ARTHUR LIPSETT pieces together his visions of this fragmented world from odds and ends, even leftovers, from other people’s photography and sound recording. By juxtaposing his snippets of « found film » with snatches of comment or dialogue echoing the banality of human communication, LIPSETT shows the emptiness of much of what we say or do. N-Zone is one man’s surrealist sampler of the human condition.


N-Zone (1970) by ARTHUR LIPSETT

N-Zone (1970) by ARTHUR LIPSETT

N-Zone (1970) by ARTHUR LIPSETT

N-Zone (1970) by ARTHUR LIPSETT

N-Zone (1970) by ARTHUR LIPSETT

 

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The Arthur Lipsett Project: A Dot on the Histomap (2007) by ERIC GAUCHER (March 15, 2012)
Images tirées du film N-Zone (1970) d’ARTHUR LIPSETT (July 9, 2011)
Remembering Arthur (2006) by MARTIN LAVUT (May 12, 2011)
A Trip Down Memory Lane (1965) &
Very Nice, Very Nice (1961) by ARTHUR LIPSETT (May 12, 2011)
21-87 (1964) by ARTHUR LIPSETT (January 31, 2011)
Free Fall (1964) d’ARTHUR LIPSETT (April 28, 2010)